Eric Forman

Eric Albert Forman (born May 18, 1959) is a fictional character and the male lead on Fox Network's That'70s Show from season one through seven, played by Topher Grace. The character is based on the adolescence of show creator Mark Brazill. Most of the show takes place at the Formans' home, particularly in the basement, where he and his five friends hang out. He has a doting mother with ... Eric Forman is a Brooklyn-based artist and designer working for nearly twenty years at the intersections between art, design, architecture, and new technology. Eric started programming as a child in the 1980s and was an early member of the groundbreaking online media entity Pseudo Programs in the mid 1990s. Eric Forman is a NY-based documentary film producer. He has worked on a variety of documentary style programming which has appeared on HBO, PBS FRONTLINE, NETFLIX, HISTORY, BLOOMBERG TV, VICELAND ... Eric Forman served as the central character on That '70s Show before he was written out of the show for the sitcom's eighth and final season. Topher Grace portrayed the character from 1998 until 2005, but his career goals led the actor to exit the long-running series before its conclusion. As a result, Grace is absent for most of the show's final season, although he did return to bid viewers a ... eric_j._forman_md_hcld_-_medical_and_laboratory_director_for_columbia_fertility. As the Medical and Laboratory Director at Columbia University Fertility Center, Eric Forman, MD, HCLD, oversees the medical practice as well as the IVF embryology and andrology laboratories. He also actively sees patients with infertility and those seeking to ... Eric Forman is the main protagonist of That'70s Show. He is portrayed by Topher Grace. Eric is the youngest child in a family of four, consisting of his strict, war-veteran father, Red Forman, his doting mother with impending separation anxiety, Kitty Forman, and his evil, promiscuous, troublesome older sister, Laurie Forman. He also becomes the foster brother to his best friend, Steven Hyde ...

Hello Wisconsin!

2011.07.29 13:08 banananinja Hello Wisconsin!

A subreddit for fans of That 70's Show.
[link]


2010.04.13 07:09 E_lucas r/AnimalCrossing

Welcome to the Animal Crossing subreddit! Please review the rules before posting. Use the pinned Q&A + friend code megathreads. NO NEW THREADS FOR: Trading, giveaways, questions, code sharing, Nook/Lisa Simpson suggestion image macros. ♥
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2011.10.18 23:25 cjb6714001 Showerthoughts

A subreddit for sharing those miniature epiphanies you have that highlight the oddities within the familiar.
[link]


2020.10.15 04:58 mightaswellbega Eric Forman's Journey to Happiness

submitted by mightaswellbega to That70sshow [link] [comments]


2020.10.06 23:06 6fGfGsz70s2dX4R4jeHg That 70's Show, Eric Forman's basement

That 70's Show, Eric Forman's basement submitted by 6fGfGsz70s2dX4R4jeHg to zoombackgrounds [link] [comments]


2020.10.03 05:51 that70sviv I have a crush on a boy from my online classes

This year, I’m (17f) taking an AP lit course and we had to do group work. The teacher paired me with the only other boy who’s doing full online school as well and I think he’s just the cutest boy ever haha. Imagine younger liam payne and eric forman from that 70s show as one person. Just gorgeous.
Anyway, the teacher put us in a breakout room and while we were doing the group work I didn’t think much of it and it was kinda awkward so we didn’t really talk, the most we talked about was what questions we were gonna do gave some suggestions.
I’m not sure what happened this week though because all of a sudden I think he’s the cutest boy that ever existed? Totally being dramatic but wow he’s cute, and from when he answers in class it seems like he’s funny too. Now the problem is we have only talked through our emails to discuss more stuff about the work and it’s minimal conversation. Overall, we got an 81 on the assignments and we have two weeks to go back and finish everything and I’m kinda thinking to email him and ask for his number or something so we can work on it together, if he wants to of course.
On the other hand, I’m soooo shy which is why I didn’t talk to him in the first place. I also have social anxiety so part of me is thinking “why would he want to talk to me he probably thinks i’m ugly and boring” but like??? he doesn’t even know me why would he think that? I do think it’s pretty weird to just ask for him number through email though, like what if he just says no and then it’s awkward for the rest of year since he’s gonna be my partner every time lol.
So what do you guys think I should do? I don’t see him for another week because we have this class every other week so... not sure what to do there. Alsooo I don’t know if this is the correct place to put this post but hopefully I can get some advice.
submitted by that70sviv to relationship_advice [link] [comments]


2020.09.22 16:16 ReelStats These are the statistical top 500 movies of all time, according to 23 different websites

Hey everyone, great to be back again. Some of you might remember a similar title from a post I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.
I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.
I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).
As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.
So without further ado, the statistical top 500 movies ever made. I separated the scores into overall, critics, domestic, and international columns to make comparisons easier. This list on Letterboxd.
Ranking Title Overall Score Critics Domestic International Year Director
1 The Godfather 93.89 97.73 90.50 89.36 1972 Francis Ford Coppola
2 The Godfather: Part II 91.93 93.30 89.04 88.06 1974 Francis Ford Coppola
3 Seven Samurai 91.05 97.38 87.63 85.90 1954 Akira Kurosawa
4 12 Angry Men 90.45 95.45 88.74 88.62 1957 Sidney Lumet
5 City Lights 89.94 96.75 85.67 85.93 1931 Charlie Chaplin
6 The Good, the Bad and the Ugly 89.45 91.20 87.81 86.59 1966 Sergio Leone
7 The Shawshank Redemption 89.41 82.95 89.49 89.18 1994 Frank Darabont
8 Psycho 89.29 95.23 85.70 85.01 1960 Alfred Hitchcock
9 Modern Times 89.28 95.55 85.21 85.37 1936 Charlie Chaplin
10 Schindler's List 89.08 93.80 87.22 87.29 1993 Steven Spielberg
11 Pulp Fiction 88.85 92.60 87.69 86.42 1994 Quentin Tarantino
12 Rear Window 88.63 97.65 85.40 83.33 1954 Alfred Hitchcock
13 One Flew Over the Cuckoo's Nest 88.55 87.38 86.28 86.97 1975 Miloš Forman
14 Apocalypse Now 88.54 93.85 85.24 83.48 1979 Francis Ford Coppola
15 Tokyo Story 88.49 98.30 85.16 83.76 1953 Yasujirō Ozu
16 Spirited Away 88.34 93.78 86.80 85.91 2001 Hayao Miyazaki
17 GoodFellas 88.03 91.48 87.00 84.03 1990 Martin Scorsese
18 Vertigo 88.02 95.60 84.05 82.76 1958 Alfred Hitchcock
19 Singin' in the Rain 88.01 97.65 83.95 83.13 1952 Gene Kelly, Stanley Donen
20 Sunset Boulevard 88.00 95.45 85.44 84.22 1950 Billy Wilder
21 Citizen Kane 87.83 99.03 83.06 82.22 1941 Orson Welles
22 Harakiri 87.79 85.83 88.00 86.29 1962 Masaki Kobayashi
23 Rashomon 87.74 96.55 83.52 82.73 1950 Akira Kurosawa
24 Once Upon a Time in the West 87.71 86.65 85.48 84.62 1968 Sergio Leone
25 Fanny and Alexander 87.54 97.30 83.15 83.00 1982 Ingmar Bergman
26 The Lord of the Rings: The Return of the King 87.40 92.59 86.06 85.38 2003 Peter Jackson
27 Andrei Rublev 87.39 91.90 83.80 83.94 1966 Andrei Tarkovsky
28 The Passion of Joan of Arc 87.39 94.65 83.88 83.57 1928 Carl Theodor Dreyer
29 Sherlock Jr. 87.36 96.45 83.64 85.60 1924 Buster Keaton
30 Bicycle Thieves 87.35 94.70 83.91 83.46 1948 Vittorio De Sica
31 Casablanca 87.35 98.00 85.25 82.62 1942 Michael Curtiz
32 Some Like It Hot 87.28 95.30 82.11 83.73 1959 Billy Wilder
33 Persona 87.22 88.20 84.28 83.07 1966 Ingmar Bergman
34 Children of Paradise 87.21 95.33 84.81 83.27 1945 Marcel Carné
35 Taxi Driver 87.14 93.88 83.60 82.06 1976 Martin Scorsese
36 The Dark Knight 87.08 88.81 86.96 84.80 2008 Christopher Nolan
37 Metropolis 87.03 96.00 82.92 84.01 1927 Fritz Lang
38 Sunrise: A Song of Two Humans 87.02 93.95 82.23 84.02 1927 F. W. Murnau
39 Stalker 87.02 92.30 83.86 83.29 1979 Andrei Tarkovsky
40 Pather Panchali 86.96 94.35 84.40 82.80 1955 Satyajit Ray
41 Lawrence of Arabia 86.95 97.65 83.76 81.49 1962 David Lean
42 M 86.91 96.20 84.34 82.92 1931 Fritz Lang
43 Ordet 86.82 98.10 83.08 82.55 1955 Carl Theodor Dreyer
44 It's a Wonderful Life 86.77 90.45 85.17 84.90 1946 Frank Capra
45 Satantango 86.76 90.45 84.58 84.21 1994 Béla Tarr
46 Parasite 86.72 96.34 86.55 83.15 2019 Bong Joon-ho
47 The 400 Blows 86.70 96.70 83.14 82.60 1959 François Truffaut
48 Ikiru 86.56 93.80 85.48 84.29 1952 Akira Kurosawa
49 Mirror 86.50 95.60 82.75 82.34 1975 Andrei Tarkovsky
50 Come and See 86.50 90.50 85.22 83.13 1985 Elem Klimov
51 The Apartment 86.48 92.00 84.09 82.99 1960 Billy Wilder
52 The General 86.45 91.45 82.59 83.87 1926 Buster Keaton, Clyde Bruckman
53 Grave of the Fireflies 86.43 95.13 85.85 82.97 1988 Isao Takahata
54 Le Trou 86.41 89.95 85.46 85.14 1960 Jacques Becker
55 The Battle of Algiers 86.37 95.40 82.64 81.24 1966 Gillo Pontecorvo
56 A Man Escaped 86.34 96.50 83.67 82.03 1956 Robert Bresson
57 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 86.34 95.85 84.37 83.03 1964 Stanley Kubrick
58 Paths of Glory 86.25 92.30 84.97 84.48 1957 Stanley Kubrick
59 The Lord of the Rings: The Fellowship of the Ring 86.24 88.75 85.61 84.31 2001 Peter Jackson
60 All About Eve 86.23 96.95 83.69 83.20 1950 Joseph L. Mankiewicz
61 Star Wars: The Empire Strikes Back 86.21 86.93 87.05 83.29 1980 Irvin Kershner
62 High and Low 86.16 86.55 86.08 84.26 1963 Akira Kurosawa
63 The Great Dictator 86.15 91.10 84.25 85.03 1940 Charlie Chaplin
64 The Silence of the Lambs 86.12 88.68 85.29 84.17 1991 Jonathan Demme
65 2001: A Space Odyssey 86.06 88.35 82.93 81.54 1968 Stanley Kubrick
66 North by Northwest 86.03 96.38 83.17 81.74 1959 Alfred Hitchcock
67 Double Indemnity 85.91 94.38 83.84 83.12 1944 Billy Wilder
68 Ugetsu 85.91 97.25 82.69 81.91 1953 Kenji Mizoguchi
69 Woman in the Dunes 85.91 93.95 84.71 83.77 1964 Hiroshi Teshigahara
70 Sansho the Bailiff 85.88 95.50 84.24 82.21 1954 Kenji Mizoguchi
71 Once Upon a Time in America 85.87 86.10 83.84 85.53 1984 Sergio Leone
72 City of God 85.86 84.08 86.39 84.00 2002 Fernando Meirelles, Kátia Lund
73 Late Spring 85.81 94.75 83.74 82.27 1949 Yasujirō Ozu
74 Barry Lyndon 85.80 87.95 82.44 82.30 1975 Stanley Kubrick
75 The Lord of the Rings: The Two Towers 85.78 88.78 85.00 84.29 2002 Peter Jackson
76 Raging Bull 85.77 90.48 82.01 81.80 1980 Martin Scorsese
77 Chinatown 85.72 94.08 83.32 80.69 1974 Roman Polanski
78 Alien 85.69 91.73 84.76 82.62 1979 Ridley Scott
79 Ran 85.68 94.70 83.93 82.52 1985 Akira Kurosawa
80 The Seventh Seal 85.67 92.10 83.52 82.13 1957 Ingmar Bergman
81 The Kid 85.61 92.85 82.91 84.94 1921 Charlie Chaplin
82 Wild Strawberries 85.51 90.05 83.38 82.24 1957 Ingmar Bergman
83 A Brighter Summer Day 85.50 93.38 84.07 81.01 1991 Edward Yang
84 85.48 91.20 82.59 81.09 1963 Federico Fellini
85 The Pianist 85.38 88.69 83.31 84.80 2002 Roman Polanski
86 The World of Apu 85.38 93.20 84.38 83.09 1959 Satyajit Ray
87 La Dolce Vita 85.37 94.38 81.40 80.48 1960 Federico Fellini
88 Star Wars 85.33 90.03 85.22 81.92 1977 George Lucas
89 The Best of Youth 85.31 88.78 85.31 83.64 2003 Marco Tullio Giordana
90 The Gold Rush 85.29 94.55 81.93 83.59 1925 Charlie Chaplin
91 The Third Man 85.26 96.50 82.91 80.21 1949 Carol Reed
92 The Treasure of the Sierra Madre 85.20 96.68 82.77 81.81 1948 John Huston
93 I Am Cuba 85.18 93.60 82.00 83.44 1964 Mikhail Kalatozov
94 The Lives of Others 85.14 89.03 84.12 82.73 2006 Florian Henckel von Donnersmarck
95 Witness for the Prosecution 85.13 92.65 83.67 84.99 1957 Billy Wilder
96 Touch of Evil 85.11 95.70 81.36 79.65 1958 Orson Welles
97 WALL-E 85.10 92.09 82.82 82.64 2008 Andrew Stanton
98 Scenes from a Marriage 85.02 86.85 84.80 83.06 1974 Ingmar Bergman
99 To Be or Not to Be 84.99 89.58 82.52 83.39 1942 Ernst Lubitsch
100 A Separation 84.92 94.24 83.34 80.90 2011 Asghar Farhadi
101 The Night of the Hunter 84.91 96.93 81.17 79.06 1955 Charles Laughton
102 Three Colors: Red 84.87 96.78 83.32 80.78 1994 Krzysztof Kieślowski
103 Yojimbo 84.87 91.55 83.85 82.99 1961 Akira Kurosawa
104 Back to the Future 84.85 89.38 84.47 81.94 1985 Robert Zemeckis
105 My Neighbor Totoro 84.84 87.53 83.44 83.17 1988 Hayao Miyazaki
106 In the Mood for Love 84.84 83.87 82.55 81.20 2000 Wong Kar-wai
107 Princess Mononoke 84.83 81.18 85.02 84.24 1999 Hayao Miyazaki
108 Saving Private Ryan 84.82 90.35 83.94 82.50 1998 Steven Spielberg
109 Cinema Paradiso 84.78 82.30 84.73 83.43 1988 Giuseppe Tornatore
110 La Jetée 84.75 89.25 83.27 81.80 1962 Chris Marker
111 The Wages of Fear 84.71 94.60 82.99 82.80 1953 Henri-Georges Clouzot
112 Das Boot 84.68 90.13 83.62 82.71 1981 Wolfgang Petersen
113 Fight Club 84.65 71.18 86.39 84.95 1999 David Fincher
114 Nights of Cabiria 84.64 92.25 82.72 83.13 1957 Federico Fellini
115 La Strada 84.61 92.60 80.79 82.78 1954 Federico Fellini
116 Amadeus 84.53 89.55 82.88 82.59 1984 Miloš Forman
117 Forrest Gump 84.50 76.90 83.06 86.12 1994 Robert Zemeckis
118 Spider-Man: Into the Spider-Verse 84.49 90.41 85.03 81.69 2018 Peter Ramsey, Rodney Rothman, Bob Persichetti
119 The Lion King 84.45 88.28 77.22 84.09 1994 Rob Minkoff, Roger Allers
120 Inception 84.43 82.07 84.18 84.17 2010 Christopher Nolan
121 Whiplash 84.42 89.53 84.87 81.96 2014 Damien Chazelle
122 The Shop Around the Corner 84.40 94.43 80.85 82.37 1940 Ernst Lubitsch
123 Rififi 84.38 92.00 83.03 81.58 1955 Jules Dassin
124 Umberto D. 84.38 92.63 82.20 81.75 1952 Vittorio De Sica
125 Army of Shadows 84.37 95.30 82.98 80.50 1969 Jean-Pierre Melville
126 Blade Runner 84.34 85.85 82.57 80.29 1982 Ridley Scott
127 Samurai Rebellion 84.33 89.05 82.85 83.84 1967 Masaki Kobayashi
128 Close-Up 84.31 85.70 81.99 80.69 1990 Abbas Kiarostami
129 The Circus 84.29 90.35 81.69 83.14 1928 Charlie Chaplin
130 Raiders of the Lost Ark 84.19 89.33 84.31 80.57 1981 Steven Spielberg
131 Grand Illusion 84.18 95.35 81.85 79.78 1937 Jean Renoir
132 A Clockwork Orange 84.18 82.78 82.37 82.51 1971 Stanley Kubrick
133 Eternal Sunshine of the Spotless Mind 84.07 89.37 83.36 80.57 2004 Michel Gondry
134 A Woman Under the Influence 84.01 87.40 82.51 80.40 1974 John Cassavetes
135 The Cranes Are Flying 84.00 89.30 82.76 82.40 1957 Mikhail Kalatozov
136 Yi Yi 83.91 91.25 82.48 79.64 2000 Edward Yang
137 To Kill a Mockingbird 83.91 89.13 81.98 82.20 1962 Robert Mulligan
138 The Matrix 83.90 77.78 84.54 83.06 1999 Wachowski Sisters
139 The Sting 83.90 85.73 82.71 83.36 1973 George Roy Hill
140 The Mother and the Whore 83.87 94.55 81.24 79.82 1973 Jean Eustache
141 Se7en 83.86 72.15 84.91 84.48 1995 David Fincher
142 Early Summer 83.85 94.45 82.19 82.01 1951 Yasujirō Ozu
143 Werckmeister Harmonies 83.80 91.73 80.89 81.93 2000 Béla Tarr, Ágnes Hranitzky
144 Coco 83.80 86.21 82.73 83.66 2017 Adrian Molina, Lee Unkrich
145 Toy Story 83.76 95.03 82.30 80.15 1995 John Lasseter
146 It Happened One Night 83.76 90.83 81.46 81.76 1934 Frank Capra
147 Reservoir Dogs 83.74 84.68 83.12 81.99 1992 Quentin Tarantino
148 Unforgiven 83.73 88.55 82.24 81.59 1992 Clint Eastwood
149 The Deer Hunter 83.73 87.68 80.57 82.06 1978 Michael Cimino
150 The Young and the Damned 83.72 87.10 82.58 80.82 1950 Luis Buñuel
151 The Best Years of Our Lives 83.68 92.63 81.19 81.20 1946 William Wyler
152 The Leopard 83.66 97.30 79.56 79.57 1963 Luchino Visconti
153 Time of the Gypsies 83.65 86.05 83.31 82.29 1988 Emir Kusturica
154 Ali: Fear Eats the Soul 83.61 96.70 80.51 79.97 1974 Rainer Werner Fassbinder
155 Raise the Red Lantern 83.57 90.25 82.37 81.81 1991 Zhang Yimou
156 Terminator 2: Judgment Day 83.57 82.00 84.11 81.83 1991 James Cameron
157 The Shining 83.55 75.35 84.08 81.80 1980 Stanley Kubrick
158 Viridiana 83.54 92.95 80.68 80.81 1961 Luis Buñuel
159 Portrait of a Lady on Fire 83.52 93.59 83.08 80.02 2019 Céline Sciamma
160 Greed 83.51 97.05 80.65 80.64 1924 Erich von Stroheim
161 Gone with the Wind 83.48 92.90 80.01 81.68 1939 Victor Fleming
162 There Will Be Blood 83.48 89.65 81.91 79.02 2007 Paul Thomas Anderson
163 L.A. Confidential 83.46 91.63 82.08 80.81 1997 Curtis Hanson
164 Paris, Texas 83.46 83.95 82.89 81.66 1984 Wim Wenders
165 Throne of Blood 83.45 91.30 82.18 81.49 1957 Akira Kurosawa
166 Toy Story 3 83.43 93.55 81.61 80.32 2010 Lee Unkrich
167 Memento 83.43 85.20 83.78 80.76 2000 Christopher Nolan
168 On the Waterfront 83.37 93.00 82.23 79.52 1954 Elia Kazan
169 Trip to the Moon 83.37 94.70 79.96 82.83 1902 Georges Méliès
170 The Rules of the Game 83.33 96.55 80.45 78.02 1939 Jean Renoir
171 Red Beard 83.32 74.15 83.41 83.27 1965 Akira Kurosawa
172 The Grapes of Wrath 83.32 95.45 80.42 80.34 1940 John Ford
173 Au Hasard Balthazar 83.29 98.08 77.93 77.54 1966 Robert Bresson
174 Autumn Sonata 83.29 84.85 83.09 82.66 1978 Ingmar Bergman
175 Annie Hall 83.28 93.18 80.58 80.58 1977 Woody Allen
176 The Conformist 83.27 96.68 79.92 78.58 1970 Bernardo Bertolucci
177 Rocco and His Brothers 83.24 84.73 81.95 81.68 1960 Luchino Visconti
178 Dersu Uzala 83.23 74.75 82.35 83.37 1975 Akira Kurosawa
179 Cool Hand Luke 83.21 93.05 82.22 79.83 1967 Stuart Rosenberg
180 Monty Python and the Holy Grail 83.18 91.98 82.96 79.30 1975 Terry Gilliam, Terry Jones
181 Le Samouraï 83.18 92.35 82.45 79.40 1967 Jean-Pierre Melville
182 Aliens 83.18 88.73 83.29 79.61 1986 James Cameron
183 PlayTime 83.16 93.50 80.22 78.80 1967 Jacques Tati
184 The Bridge on the River Kwai 83.14 90.58 81.93 80.24 1957 David Lean
185 The Red Shoes 83.13 93.15 82.82 79.96 1948 Michael Powell, Emeric Pressburger
186 American Beauty 83.10 87.15 81.93 81.13 1999 Sam Mendes
187 To Live 83.10 84.00 82.16 82.46 1994 Zhang Yimou
188 Battleship Potemkin 83.10 95.85 77.81 80.41 1925 Sergei Eisenstein
189 Day of Wrath 83.09 93.40 81.07 81.29 1943 Carl Theodor Dreyer
190 All Quiet on the Western Front 83.07 92.85 80.05 81.48 1930 Lewis Milestone
191 It's Such a Beautiful Day 83.07 91.25 83.62 79.77 2012 Don Hertzfeldt
192 Full Metal Jacket 83.06 81.53 82.21 82.54 1987 Stanley Kubrick
193 The Cabinet of Dr. Caligari 83.05 96.40 79.84 81.83 1920 Robert Wiene
194 Kes 83.03 97.80 79.59 80.55 1969 Ken Loach
195 The Usual Suspects 83.02 80.23 84.08 81.48 1995 Bryan Singer
196 The Cameraman 83.00 93.90 80.77 81.57 1928 Edward Segdwick, Buster Keaton
197 Aparajito 83.00 90.90 81.81 81.20 1956 Satyajit Ray
198 The Elephant Man 83.00 83.00 82.10 81.87 1980 David Lynch
199 Rebecca 82.98 90.08 81.08 80.93 1940 Alfred Hitchcock
200 Make Way for Tomorrow 82.97 95.80 81.72 80.14 1937 Leo McCarey
201 The Great Escape 82.97 87.68 82.29 80.66 1963 John Sturges
202 Your Name 82.97 84.55 84.07 81.29 2016 Makoto Shinkai
203 Limelight 82.92 88.00 79.85 83.02 1952 Charlie Chaplin
204 Breathless 82.92 91.95 78.88 79.10 1960 Jean-Luc Godard
205 Underground 82.91 80.75 81.26 82.64 1995 Emir Kusturica
206 The Man Who Shot Liberty Valance 82.88 91.90 81.08 79.53 1962 John Ford
207 Aguirre: The Wrath of God 82.87 94.55 80.46 78.62 1972 Werner Herzog
208 Oldboy 82.86 78.98 84.00 81.27 2003 Park Chan-wook
209 Up 82.84 90.28 81.32 80.86 2009 Pete Docter
210 Anatomy of a Murder 82.84 94.00 80.57 80.02 1959 Otto Preminger
211 The Wild Bunch 82.84 90.35 79.45 80.12 1969 Sam Peckinpah
212 The Hunt 82.75 82.08 82.79 82.62 2012 Thomas Vinterberg
213 Il Sorpasso 82.74 95.75 82.84 79.57 1962 Dino Risi
214 The Last Laugh 82.74 95.25 79.47 81.61 1924 F. W. Murnau
215 A Streetcar Named Desire 82.73 94.60 79.89 80.26 1951 Elia Kazan
216 Life Is Beautiful 82.73 68.45 83.60 85.57 1997 Roberto Benigni
217 A Short Film About Love 82.71 87.10 81.90 81.89 1988 Krzysztof Kieślowski
218 The Shop on Main Street 82.71 94.45 82.15 80.43 1965 Ján Kadár, Elmar Klos
219 Rio Bravo 82.71 92.10 80.46 79.80 1959 Howard Hawks
220 Roman Holiday 82.70 84.55 80.74 82.42 1953 William Wyler
221 Ivan's Childhood 82.69 94.80 81.25 80.37 1962 Andrei Tarkovsky
222 The Exterminating Angel 82.68 91.10 81.66 80.17 1962 Luis Buñuel
223 Trainspotting 82.68 85.20 81.57 81.21 1996 Danny Boyle
224 The Last Picture Show 82.67 94.15 79.90 79.56 1971 Peter Bogdanovich
225 The Truman Show 82.64 89.63 79.70 82.15 1998 Peter Weir
226 Memories of Murder 82.64 82.88 82.68 80.94 2003 Bong Joon-ho
227 Faust 82.62 89.70 80.23 81.94 1926 F. W. Murnau
228 Sans Soleil 82.62 83.90 79.45 80.51 1983 Chris Marker
229 Song of the Sea 82.57 87.63 80.59 82.23 2014 Tomm Moore
230 Léon: The Professional 82.55 67.38 84.05 84.07 1994 Luc Besson
231 Fargo 82.54 87.45 82.36 79.19 1996 Coen Brothers
232 Solaris 82.54 89.95 80.91 79.69 1972 Andrei Tarkovsky
233 Sweet Smell of Success 82.52 96.53 80.81 77.62 1957 Alexander Mackendrick
234 For a Few Dollars More 82.52 79.28 82.38 83.15 1965 Sergio Leone
235 White Heat 82.51 90.65 80.77 81.24 1949 Raoul Walsh
236 Brief Encounter 82.50 88.35 80.81 81.03 1945 David Lean
237 Wings of Desire 82.49 85.70 81.30 80.42 1987 Wim Wenders
238 Diabolique 82.47 90.70 81.27 80.73 1955 Henri-Georges Clouzot
239 An Autumn Afternoon 82.45 91.95 81.68 79.85 1962 Yasujirō Ozu
240 The Tale of the Princess Kaguya 82.44 90.63 81.16 80.43 2013 Isao Takahata
241 Amarcord 82.41 85.95 79.26 80.73 1973 Federico Fellini
242 Heat 82.40 79.08 82.03 81.73 1995 Michael Mann
243 L'Atalante 82.40 95.60 78.32 78.10 1934 Jean Vigo
244 Django Unchained 82.39 83.44 82.23 81.94 2012 Quentin Tarantino
245 Jeanne Dielman, 23 Commerce Quay, 1080 Brussels 82.38 95.50 78.73 79.69 1975 Chantal Akerman
246 Kind Hearts and Coronets 82.38 95.60 80.80 79.72 1949 Robert Hamer
247 Dog Day Afternoon 82.37 88.40 81.11 79.80 1975 Sidney Lumet
248 Forbidden Games 82.37 93.75 80.36 80.99 1952 René Clément
249 The Crowd 82.35 93.35 79.21 81.23 1928 King Vidor
250 Notorious 82.35 96.78 79.96 78.21 1946 Alfred Hitchcock
251 Mary and Max 82.35 88.05 80.95 82.42 2009 Adam Elliot
252 Persepolis 82.34 88.95 80.09 80.77 2007 Marjane Satrapi, Vincent Paronnaud
253 Howl's Moving Castle 82.33 78.71 82.63 83.10 2004 Hayao Miyazaki
254 Nausicaä of the Valley of the Wind 82.33 85.10 81.54 82.03 1984 Hayao Miyazaki
255 Safety Last! 82.33 92.25 80.95 81.10 1923 Fred C. Newmeyer, Sam Taylor
256 Rosemary's Baby 82.32 94.78 79.99 78.69 1968 Roman Polanski
257 L'Avventura 82.32 92.10 79.08 78.03 1960 Michelangelo Antonioni
258 The Searchers 82.32 93.90 78.16 76.66 1956 John Ford
259 La Haine 82.30 90.60 82.38 79.56 1995 Mathieu Kassovitz
260 Three Colors: Blue 82.30 88.28 81.55 79.23 1993 Krzysztof Kieślowski
261 Chungking Express 82.30 79.95 82.29 80.73 1994 Wong Kar-wai
262 Inside Out 82.29 93.66 80.27 79.85 2015 Pete Docter
263 Where is the Friend's Home? 82.28 89.25 81.22 80.21 1987 Abbas Kiarostami
264 Cries and Whispers 82.27 85.45 81.02 80.80 1972 Ingmar Bergman
265 Napoleon 82.22 93.25 81.89 78.99 1927 Abel Gance
266 Paper Moon 82.19 83.08 81.37 81.29 1973 Peter Bogdanovich
267 The Spirit of the Beehive 82.17 89.83 79.31 78.91 1973 Víctor Erice
268 A Special Day 82.16 90.20 81.11 81.25 1977 Ettore Scola
269 Nostalghia 82.15 83.00 80.91 81.23 1983 Andrei Tarkovsky
270 Network 82.13 85.45 82.36 79.08 1976 Sidney Lumet
271 L'Eclisse 82.11 84.70 79.78 78.81 1962 Michelangelo Antonioni
272 Mr. Smith Goes to Washington 82.09 80.83 81.78 81.15 1939 Frank Capra
273 Sanjuro 82.09 91.90 81.67 80.85 1962 Akira Kurosawa
274 Badlands 82.06 93.38 79.77 77.21 1973 Terrence Malick
275 Vivre Sa Vie 82.06 85.20 80.12 79.83 1962 Jean-Luc Godard
276 Nobody Knows 82.06 87.18 81.12 81.15 2004 Hirokazu Koreeda
277 No Country for Old Men 82.05 90.68 80.56 78.47 2007 Coen Brothers
278 Spring, Summer, Fall, Winter... and Spring 82.05 86.05 80.76 80.62 2003 Kim Ki-duk
279 La Notte 82.04 78.35 81.45 81.11 1961 Michelangelo Antonioni
280 The Celebration 82.04 84.23 81.34 80.08 1998 Thomas Vinterberg
281 In the Name of the Father 82.04 84.90 81.14 81.85 1993 Jim Sheridan
282 I Am a Fugitive from a Chain Gang 82.02 89.55 80.18 81.56 1932 Mervyn LeRoy
283 Shoplifters 82.01 92.39 80.60 79.31 2018 Hirokazu Koreeda
284 Finding Nemo 82.01 92.60 80.13 78.76 2003 Andrew Stanton, Lee Unkrich
285 Z 81.98 87.55 82.21 79.59 1969 Costa-Gavras
286 The Phantom Carriage 81.96 95.00 80.01 80.32 1921 Victor Sjöström
287 Manhattan 81.95 86.23 80.50 79.81 1979 Woody Allen
288 Rome, Open City 81.94 95.40 80.45 79.27 1945 Robert Rossellini
289 Children of Heaven 81.93 80.15 81.24 82.01 1997 Majid Majidi
290 The Green Mile 81.92 71.93 82.95 84.38 1999 Frank Darabont
291 The Iron Giant 81.91 86.61 80.88 79.95 1999 Brad Bird
292 The Sacrifice 81.90 80.30 80.47 81.37 1986 Andrei Tarkovsky
293 The Philadelphia Story 81.90 94.95 79.79 77.86 1940 George Cukor
294 The Twilight Samurai 81.90 86.10 81.07 81.13 2002 Yôji Yamada
295 Before Sunset 81.88 87.79 81.42 78.41 2004 Richard Linklater
296 Before Sunrise 81.86 84.40 82.24 79.44 1995 Richard Linklater
297 Castle in the Sky 81.85 81.63 81.49 82.06 1986 Hayao Miyazaki
298 The Departed 81.84 86.92 82.82 79.04 2006 Martin Scorsese
299 Brazil 81.83 90.23 80.61 78.37 1985 Terry Gilliam
300 Incendies 81.81 83.85 81.88 80.74 2011 Denis Villenueve
301 The Maltese Falcon 81.81 95.65 80.24 77.28 1941 John Huston
302 The Wizard of Oz 81.77 98.03 79.38 77.17 1939 Victor Fleming
303 Le Cercle Rouge 81.76 90.03 80.81 78.54 1970 Jean-Pierre Melville
304 Monsieur Verdoux 81.76 89.80 78.55 81.34 1947 Charlie Chaplin
305 The Return 81.72 84.85 80.02 80.96 2003 Andrey Zvyagintsev
306 Secrets & Lies 81.71 90.73 80.29 78.66 1996 Mike Leigh
307 The Hidden Fortress 81.70 91.25 80.79 80.72 1958 Akira Kurosawa
308 Pan's Labyrinth 81.69 92.59 81.60 76.08 2006 Guillermo del Toro
309 Amélie 81.69 79.64 81.96 80.27 2004 Jean-Pierre Jeunet
310 Ben-Hur 81.67 86.93 79.86 80.22 1959 William Wyler
311 Fitzcarraldo 81.67 75.80 81.06 81.21 1982 Werner Herzog
312 American History X 81.63 70.13 83.58 83.00 1998 Tony Kaye
313 Ace in the Hole 81.62 79.10 80.88 81.36 1951 Billy Wilder
314 Capernaum 81.62 81.83 80.52 82.18 2018 Nadine Labaki
315 Still Walking 81.61 90.30 80.92 79.48 2008 Hirokazu Koreeda
316 All About My Mother 81.61 88.77 79.56 78.80 1999 Pedro Almodóvar
317 The Discreet Charm of the Bourgeoisie 81.60 92.28 78.82 78.83 1972 Luis Buñuel
318 Platoon 81.60 88.70 79.52 80.45 1986 Oliver Stone
319 Farewell My Concubine 81.60 80.50 80.49 81.04 1993 Chen Kaige
320 Letter from an Unknown Woman 81.59 93.10 79.84 79.31 1948 Max Ophüls
321 The Grand Budapest Hotel 81.58 87.64 80.72 79.19 2014 Wes Anderson
322 The Virgin Spring 81.58 82.45 80.70 80.66 1960 Ingmar Bergman
323 The Red Balloon 81.57 90.20 79.93 80.30 1956 Albert Lamorisse
324 Stagecoach 81.57 94.58 77.69 78.94 1939 John Ford
325 Mulholland Drive 81.56 80.61 79.60 77.87 2001 David Lynch
326 A Matter of Life and Death 81.49 92.60 81.91 76.27 1946 Michael Powell, Emeric Pressburger
327 High Noon 81.48 90.58 79.27 78.94 1952 Fred Zinnemann
328 Orpheus 81.48 96.20 79.88 78.90 1950 Jean Cocteau
329 Life of Brian 81.47 82.98 80.78 79.81 1979 Terry Jones
330 Casino 81.46 74.23 81.54 81.75 1995 Martin Scorsese
331 Kagemusha 81.44 82.93 80.01 80.43 1980 Akira Kurosawa
332 Butch Cassidy and the Sundance Kid 81.43 76.08 80.53 81.85 1969 George Roy Hill
333 In a Lonely Place 81.43 92.45 80.42 78.77 1950 Nicholas Ray
334 Scarface 81.43 71.30 81.97 82.18 1983 Brian De Palma
335 A Short Film About Killing 81.42 87.35 79.89 80.38 1988 Krzysztof Kieślowski
336 Beauty and the Beast 81.41 92.05 79.28 78.32 1946 Jean Cocteau
337 The Hustler 81.39 92.45 80.43 78.97 1961 Robert Rossen
338 Cléo from 5 to 7 81.38 91.65 80.03 79.11 1962 Agnès Varda
339 Fireworks 81.37 90.15 80.01 79.63 1997 Takeshi Kitano
340 Room 81.36 88.41 80.43 79.48 2015 Lenny Abrahamson
341 Mad Max: Fury Road 81.35 90.39 79.76 77.80 2015 George Miller
342 Steamboat Bill, Jr. 81.32 95.75 79.30 79.23 1928 Charles Reisner, Buster Keaton
343 Judgment at Nuremberg 81.31 71.58 82.24 83.03 1961 Stanley Kramer
344 The Straight Story 81.30 87.15 79.64 79.88 1999 David Lynch
345 Meshes of the Afternoon 81.29 96.25 77.91 79.99 1943 Maya Deren, Alexandr Hackenschmied
346 Alice in the Cities 81.28 86.70 79.60 80.20 1974 Wim Wenders
347 Akira 81.28 80.90 81.12 79.98 1988 Katsuhiro Otomo
348 Good Will Hunting 81.27 79.38 81.97 81.05 1997 Gus Van Sant
349 The Miracle Worker 81.25 85.15 78.88 81.55 1962 Arthur Penn
350 Talk to Her 81.25 87.48 79.33 78.71 2002 Pedro Almodóvar
351 The Graduate 81.24 85.58 78.91 79.97 1967 Mike Nichols
352 Beauty and the Beast 81.22 92.28 79.20 78.77 1991 Gary Trousdale, Kirk Wise
353 The Heiress 81.19 94.45 80.20 79.76 1949 William Wyler
354 Fantasia 81.18 93.03 76.76 79.95 1940 Samuel Armstrong, James Algar
355 Au Revoir les Enfants 81.18 94.25 80.14 78.92 1987 Louis Malle
356 Three Billboards Outside Ebbing, Missouri 81.18 88.62 79.36 79.90 2017 Martin McDonagh
357 Inglourious Basterds 81.17 79.05 81.06 80.51 2009 Quentin Tarantino
358 Elevator to the Gallows 81.16 90.45 79.31 78.56 1958 Louis Malle
359 Gladiator 81.16 75.39 81.69 81.52 2000 Ridley Scott
360 Through a Glass Darkly 81.15 93.60 81.11 78.86 1961 Ingmar Bergman
361 Million Dollar Baby 81.15 87.41 77.43 80.72 2004 Clint Eastwood
362 Days of Heaven 81.15 90.75 80.19 77.08 1978 Terrence Malick
363 Do the Right Thing 81.15 90.78 80.26 77.04 1989 Spike Lee
364 Out of the Past 81.14 91.40 80.73 77.92 1947 Jacques Tourneur
365 Strangers on a Train 81.11 93.30 80.01 78.68 1951 Alfred Hitchcock
366 Blue Velvet 81.11 83.48 78.98 77.09 1986 David Lynch
367 That Obscure Object of Desire 81.09 89.40 79.59 78.11 1977 Luis Buñuel
368 What Ever Happened to Baby Jane? 81.08 80.23 80.74 80.75 1962 Robert Aldrich
369 My Night at Maud's 81.07 88.15 79.51 79.42 1969 Éric Rohmer
370 The Earrings of Madame de… 81.07 92.15 80.36 77.05 1953 Max Ophüls
371 The Conversation 81.04 89.23 80.03 77.44 1974 Francis Ford Coppola
372 The Killing 81.03 91.50 79.51 79.21 1956 Stanley Kubrick
373 The Servant 81.03 87.83 79.45 78.57 1963 Joseph Losey
374 The Intouchables 81.03 67.15 82.13 84.70 2011 Olivier Nakache, Éric Toledano
375 The Life and Death of Colonel Blimp 81.01 94.15 81.57 75.44 1943 Michael Powell, Emeric Pressburger
376 Jaws 81.01 90.98 79.91 75.70 1975 Steven Spielberg
377 Winter Light 81.01 73.55 81.51 79.95 1963 Ingmar Bergman
378 Love Exposure 81.01 80.88 82.23 79.55 2008 Sion Sono
379 Hiroshima Mon Amour 81.00 92.95 80.13 77.99 1959 Alain Resnais
380 Day for Night 80.98 92.55 80.21 78.27 1973 François Truffaut
381 Ratatouille 80.97 92.73 78.72 78.68 2007 Brad Bird
382 Ghost in the Shell 80.97 81.43 79.98 81.15 1995 Mamoru Oshii
383 Germany Year Zero 80.95 92.00 77.80 80.03 1948 Roberto Rossellini
384 Spotlight 80.93 93.00 79.75 77.55 2015 Tom McCarthy
385 Die Hard 80.93 79.58 81.11 79.43 1988 John McTiernan
386 Laura 80.93 93.80 79.70 78.47 1944 Otto Preminger
387 Sleuth 80.93 89.95 79.16 80.87 1972 Joseph L. Mankiewicz
388 The Diving Bell and the Butterfly 80.92 88.64 79.69 77.84 2007 Julian Schnabel
389 The Handmaiden 80.92 85.99 82.55 77.41 2016 Park Chan-wook
390 Stand by Me 80.90 80.20 81.28 79.54 1986 Rob Reiner
391 Wolf Children 80.90 80.15 80.40 81.27 2012 Mamoru Hosoda
392 Marriage Story 80.88 92.86 79.40 77.75 2019 Noam Baumbach
393 Shoeshine 80.87 93.75 79.02 79.38 1946 Vittorio De Sica
394 Freaks 80.85 84.70 77.66 80.31 1932 Tod Browning
395 Nosferatu 80.85 93.75 78.29 79.14 1922 F. W. Murnau
396 Dial M for Murder 80.84 77.60 81.17 81.31 1954 Alfred Hitchcock
397 Amour 80.81 90.90 77.74 78.19 2012 Michael Haneke
398 12 Years a Slave 80.80 94.00 79.74 76.94 2013 Steve McQueen
399 The Nightmare Before Christmas 80.77 85.38 79.26 79.69 1993 Henry Selick
400 Cabaret 80.77 84.68 77.34 80.69 1972 Bob Fosse
401 Central Station 80.77 83.28 80.91 78.52 1998 Walter Salles
402 Landscape in the Mist 80.74 71.35 80.76 80.28 1988 Theo Angelopoulos
403 1917 80.73 84.37 80.65 79.33 2019 Sam Mendes
404 Intolerance: Love's Struggle Throughout the Ages 80.71 93.98 75.69 78.01 1916 D. W. Griffith
405 Call Me by Your Name 80.71 91.25 79.43 77.87 2017 Luca Guadagnino
406 Midnight Cowboy 80.71 82.98 79.10 79.50 1969 John Schlesinger
407 Shadow of a Doubt 80.70 94.38 79.31 76.04 1943 Alfred Hitchcock
408 Interstellar 80.70 74.16 81.30 82.25 2014 Christopher Nolan
409 Hannah and Her Sisters 80.69 88.95 79.15 77.98 1986 Woody Allen
410 Monsters, Inc. 80.68 85.29 79.37 80.08 2001 Pete Docter, David Silverman
411 The Testament of Dr. Mabuse 80.65 85.85 79.40 79.38 1933 Fritz Lang
412 Downfall 80.64 83.53 81.54 78.55 2004 Oliver Hirschbiegel
413 Being There 80.64 87.30 79.42 78.06 1979 Hal Ashby
414 The Killer 80.63 92.60 79.27 78.66 1989 John Woo
415 My Left Foot: The Story of Christy Brown 80.63 93.23 78.13 79.15 1989 Jim Sheridan
416 Jean de Florette 80.60 88.40 80.18 79.69 1986 Claude Berri
417 The Big Lebowski 80.57 74.80 82.28 78.57 1998 Coen Brothers
418 The King's Speech 80.57 90.86 78.50 78.59 2010 Tom Hooper
419 Whisper of the Heart 80.55 79.98 80.80 80.31 1995 Yoshifumi Kondō
420 E.T. the Extra-Terrestrial 80.54 93.08 77.22 77.82 1982 Steven Spielberg
421 Infernal Affairs 80.54 79.83 79.92 80.22 2002 Andrew Lau, Alan Mak
422 The Prestige 80.54 72.22 82.71 81.38 2006 Christopher Nolan
423 Our Hospitality 80.54 92.85 77.72 79.58 1923 Buster Keaton, John G. Blystone
424 Zootopia 80.53 85.22 78.84 80.18 2016 Byron Howard, Rich Moore
425 Toy Story 2 80.49 92.59 78.51 77.05 1999 John Lasseter, Ash Brannon, Lee Unkrich
426 Klaus 80.48 75.00 81.07 81.41 2019 Sergio Pablos
427 The Big Sleep 80.45 92.10 79.74 77.58 1946 Howard Hawks
428 Ford v Ferrari 80.45 83.94 79.37 80.01 2019 James Mangold
429 Dead Poets Society 80.44 78.70 79.43 80.75 1989 Peter Weir
430 The Terminator 80.43 89.08 78.26 78.13 1984 James Cameron
431 Naked 80.43 84.48 80.39 77.34 1993 Mike Leigh
432 Dangal 80.41 83.00 79.68 80.56 2016 Nitesh Tiwari
433 Kwaidan 80.40 81.80 79.75 79.42 1964 Masaki Kobayashi
434 The Man Who Would Be King 80.40 90.55 78.24 77.79 1975 John Huston
435 Wild Tales 80.38 82.57 80.48 79.22 2014 Damián Szifron
436 Groundhog Day 80.38 80.08 79.31 79.35 1993 Harold Ramis
437 Catch Me If You Can 80.38 83.44 78.74 80.57 2002 Steven Spielberg
438 I Vitelloni 80.36 90.28 77.64 78.06 1953 Federico Fellini
439 The Big Heat 80.35 92.90 79.27 77.87 1953 Fritz Lang
440 The Double Life of Véronique 80.35 82.63 80.19 77.87 1991 Krzysztof Kieślowski
441 Who's Afraid of Virginia Woolf? 80.35 82.58 80.19 78.43 1966 Mike Nichols
442 Requiem for a Dream 80.33 71.39 81.39 80.93 2000 Darren Aronofsky
443 Rope 80.33 79.20 80.31 79.30 1948 Alfred Hitchcock
444 Love and Death 80.33 89.83 77.55 78.50 1975 Woody Allen
445 The Remains of the Day 80.29 86.88 78.75 78.80 1993 James Ivory
446 Jules and Jim 80.28 93.70 78.30 77.94 1962 François Truffaut
447 The Gospel According to Matthew 80.28 88.30 76.50 78.52 1964 Pier Paolo Pasolini
448 How to Train Your Dragon 80.27 81.97 79.45 80.24 2010 Chris Sanders, Dean DeBlois
449 Harry Potter and the Deathly Hallows: Part 2 80.27 88.50 78.81 78.53 2011 David Yates
450 Cat on a Hot Tin Roof 80.26 87.05 79.46 79.79 1958 Richard Brooks
451 The French Connection 80.26 93.35 78.04 76.89 1971 William Friedkin
452 Opening Night 80.25 78.05 80.50 79.25 1977 John Cassavetes
453 Hotel Rwanda 80.24 84.54 79.34 79.40 2004 Terry George
454 4 Months, 3 Weeks and 2 Days 80.22 92.51 77.76 76.22 2007 Cristian Mungiu
455 Tampopo 80.22 92.40 81.20 77.01 1985 Juzo Itami
456 Scarface 80.22 93.50 76.43 79.55 1932 Howard Hawks, Howard Hughes
457 The Face of Another 80.21 87.50 79.61 79.34 1966 Hiroshi Teshigahara
458 The Roaring Twenties 80.21 86.20 77.79 80.68 1939 Raoul Walsh
459 Pickpocket 80.20 93.80 76.41 76.47 1959 Robert Bresson
460 Kiki's Delivery Service 80.20 85.45 79.87 78.84 1989 Hayao Miyazaki
461 A Prophet 80.19 89.61 79.53 76.14 2009 Jacques Audiard
462 Zelig 80.19 90.00 76.50 80.29 1983 Woody Allen
463 Trouble in Paradise 80.18 88.20 79.35 77.62 1932 Ernst Lubitsch
464 Gran Torino 80.17 76.27 78.57 82.36 2008 Clint Eastwood
465 Last Year at Marienbad 80.16 88.25 78.29 77.37 1961 Alain Resnais
466 All the President's Men 80.15 85.95 80.48 76.46 1976 Alan J. Pakula
467 Breaking the Waves 80.15 79.85 78.46 79.55 1996 Lars von Trier
468 Indiana Jones and the Last Crusade 80.14 74.28 81.44 80.57 1989 Steven Spielberg
469 Divorce Italian Style 80.12 91.00 79.28 78.26 1961 Pietro Germi
470 Edward Scissorhands 80.12 78.65 78.09 80.73 1990 Tim Burton
471 The Thing 80.12 67.98 82.60 79.34 1982 John Carpenter
472 Perfect Blue 80.11 74.05 80.91 80.09 1997 Satoshi Kon
473 Down by Law 80.10 79.03 78.98 79.61 1986 Jim Jarmusch
474 Bringing Up Baby 80.10 90.75 78.25 76.45 1938 Howard Hawks
475 The Phantom of Liberty 80.09 85.10 78.89 78.66 1974 Luis Buñuel
476 Bonnie and Clyde 80.07 85.38 78.16 78.23 1967 Arthur Penn
477 The Incredibles 80.07 89.69 79.77 75.78 2004 Brad Bird
478 Rocky 80.04 79.73 79.17 79.29 1976 John G. Avildsen
479 His Girl Friday 80.03 94.15 79.24 76.72 1940 Howard Hawks
480 Mommy 80.03 80.79 80.39 79.13 2014 Xavier Dolan
481 Mon Oncle 80.03 88.00 78.03 78.76 1958 Jacques Tati
482 My Fair Lady 79.99 91.85 77.53 78.00 1964 George Cukor
483 Charade 79.98 85.55 79.37 78.72 1963 Stanley Donen
484 Stalag 17 79.95 87.13 79.62 77.79 1953 Billy Wilder
485 Boyhood 79.95 97.08 76.08 75.95 2014 Richard Linklater
486 The Secret in Their Eyes 79.95 82.49 81.27 77.67 2009 Juan José Campanella
487 Ninotchka 79.95 90.15 77.99 78.50 1939 Ernst Lubitsch
488 Pierrot le Fou 79.94 81.75 77.84 76.65 1965 Jean-Luc Godard
489 The Enigma of Kaspar Hauser 79.94 89.10 78.30 78.27 1974 Werner Herzog
490 Stroszek 79.94 88.40 79.50 77.77 1977 Werner Herzog
491 A Hard Day's Night 79.93 93.73 76.82 77.08 1964 Richard Lester
492 Onibaba 79.90 74.75 79.42 79.96 1964 Kaneto Shindo
493 Repulsion 79.85 92.68 77.29 76.57 1965 Roman Polanski
494 Like Stars on Earth 79.85 80.50 79.54 79.86 2007 Aamir Khan, Amole Gupte
495 Duck Soup 79.84 92.33 79.01 74.92 1933 Leo McCarey
496 Carlito's Way 79.83 70.28 79.16 82.01 1993 Brian De Palma
497 Nashville 79.82 93.23 76.89 74.92 1975 Robert Altman
498 The Triplets of Belleville 79.82 88.97 76.57 78.66 2003 Sylvain Chomet
499 Dr. Mabuse the Gambler 79.81 85.10 76.88 79.98 1922 Fritz Lang
500 Gone Girl 79.79 83.03 79.32 78.87 2014 David Fincher
If you found this list interesting, I would really appreciate it if you can give my newish Youtube channel a subscribe. It would mean a lot. As always, if you know of or use any other movie website, definitely let me know. Thanks guys.
submitted by ReelStats to movies [link] [comments]


2020.09.12 06:30 hpspnmag Have you seen these "[character] once said" edits circulating on Twitter?

Jackie Burkhart once said...
Steven Hyde once said...
Leo once said...
Kitty Forman once said...
Red Forman once said...
Bob once said...
Laurie Forman once said...
Eric Forman once said...
Donna Pinciotti once said...
Fez once said...
Michael Kelso once said...
Edit to add: Midge once said...
submitted by hpspnmag to That70sshow [link] [comments]


2020.09.10 22:48 Babygirl972801 Welcome to the circle, aka Eric Forman’s basement 😌 #that70sshow #AC

Welcome to the circle, aka Eric Forman’s basement 😌 #that70sshow #AC submitted by Babygirl972801 to AnimalCrossing [link] [comments]


2020.09.10 19:55 BigBamaBoy93 Sir Talks-alot #1 :The Fanfic Fool of Foley or Misogynistic Mayhem

Hey y’all this is my first post on reddit. I’ve been watching and listening to Tim Tam Tom ,Moonhorse and many others on YouTube. Which made me think about all the neckbeards. I had to deal with over the years. This story is about a neckbeard and two female coworkers, That I still work with currently. Hopefully none of them use reddit and I’m also venting because my job can be very stressful. Especially due to Covid
Backstory: I work for a store that takes donated goods and resales them for cheaper prices. I’ll be real with y’all, we’re pretty much just glorified movers and yard salesmen when you really think about it. At this point in time, I’ve been working there for about 3 years. I‘ve seen my fair share of weird and stupid shit, but in this case. Someone that is annoying asf and I still have to put up with to this very day. FML!!!!!!
Names and Places have been changed for obvious reasons duh.
The cast:
Me/CJ, 23 at the time. I’m just an average nerdy mildly autistic, 5'9 heavy set brotha from Bama and head donation attendant, Just working to stay in class and keep my rent payed . While writing and drawing a few stories. That I hope someday will become an animated series or a Live action show on Netflix. Not big on confrontation unless provoked enough and I don't do well in large crowds. I can be a bit of a smart ass when people annoy me enough and could probably give Eric Forman a run for his money. I’m a hard worker and I take pride in what I do, because I grew up in a “ Boy! If I’m cutting grass. Then you cutting grass. Now get out here!” kind of household. What irks me is having to work alongside lazy people that don’t pull their weight or in this case, I would say “one lazy fuck.”
S/Sahara. One of my coworkers, the object of the beard’s affection and My crush. She was a beautiful tom boy and head cashier at our store. She's usually nice to everyone unless you piss her off. She’s the type that’s not afraid to be who she is and won’t apologize for it either. She was into 90’s cartoons videogames and anime (casual anime watcher). She was mixed (black/white),very blessed in the body department (Thick) and because of her skin tone and the shape of her eyes she would sometimes get mistaken for Asian, Hawaiian or “Brazilian” or people would just walk up to her and straight up ask "what are you?". Not to mention, She got asked out like every other day and got alot of unwanted attention from guys that would come to the store. ST also included in the line of thirsty guys . It happens so often that some of the other coworkers call her “Hello nurse” as a dumb joke and the fact that the Animaniacs was one of her favorite shows. She may not have said it but I could tell it bothered a little. She usually turns them all down because at the time. She just got out of a very toxic relationship and still kinda shaking things off.
M/Mary. Another coworker of mine and one of my favorite people to work with. She was a 26 year old Korean girl, our head floor attendant and the Savage of our store. She’s been here longer than S,ST and I because She started the job at 18. She's an excellent cook and pretty much queen of the pot lucks. she’s very sweet and looks out for people. She speaks her mind and isn’t afraid to call people out on their bull shit, especially when she’s pissed. She is sometimes called bitchy or stuck up by ST and 2 other coworkers who she turned down and she is fully aware that they call her that behind her back. She usually puts them in their place with her savagery and wit. She’s just real with people and won’t tell em “what they want to hear” but she'll tell em what they need to hear. Which is why I have mad respect for her.
(Personally IDK why they call her that. She’s nice to me. That and probably because I don’t really do anything to piss her off.)
ST/Sir Talks-Alot. Last but not least we have the bane of my existence ST. He was a 25 year old typical conservative, over weight "nice guy". long nasty greasy hair, pale skin, pubic hair like beard on his neck, infamous hat( fedora), obsessed with anime and W.O.W.(world of war craft) and smelled like a combination of chitlins, nut and "the Out doughs" (outdoors). Better yet just picture Larry the cable and the comic book guy from the Simpsons crossed with a bloated white whale wearing a fedora. He's everything you don't want in a coworker:
1.)Lazy as Hell. He literally does the bare minimum. So the boss won't bitch at him.
2).Constantly complains about the job even though its simple ASF. We literally just sort items by what they are and what they are made of. metal, wood, recyclable plastic. ect.
3.)Tells bold face lies and stories about his sex life and conquest that I'm pretty sure would be in the thatHappened section of reddit. EX: "I lost my v-card in a threesome with Asian twins, when I was 16."
4.) Never shows up on time and calls out for bull shit reasons, despite living literally just up the road from the store. Its ridiculous!!!
5.) Racist. As in He uses backhanded phrases or speaks in codes because He doesn't have the balls to call someone a racial slur. At least not to their face. Especially when a Hispanic or Middle eastern family comes into the store and speaks their native language. He would say "If they come to our country they should at least learn fucking english or go back to where tf they came from. damn freeloading foreigners."
6.) Makes unwanted physical contact with women at the store. Usually using the typical creep excuses when he gets caught or called out for it "Sorry my hand slipped" or "I lost my balance". Staring at M,S and all the other female coworker's goods until one em says " The hell are you looking at perv!" or "take a picture it'll last longer jackass!"
Seriously its called self control dude.
7.)Extremely Sexist, with such a backwards view on women, You would think someone plucked him out of the 50's or 60's and stuck em in the modern era. He's basically if "girls can't do this or that" was a person. Little advice dude. Gate keeping is not attractive nor will it get you a gf.
8.) Jumps into peoples conversations and talks over people to the point where you can't even get a word in edge wise. No matter where or who he is with. He mostly did this to girls to either feel like he was superior or try so desperately to be the smartest person in the room. Even though he has nooooo idea wtf he's talking about.
and worst of all
9.) He. would. not. SHUT UP!!!!! Constantly talking about absolute bullshit that no one cares about. Talk (3x) Yak (3x). The guy needs a nice tall glass of STFU!!!
Sure I know what you're probably thinking " Dude just ignore em"! That's easier said than done. He makes such stupid, creepy and mostly offensive comments. So out there that you just can't help but correct em. How Stupid you may ask? I'm talking Flat earther logic meets the guys from "Jackass" Stupid.
This little encounter happened during our lunch break. I set my break alarm and I start chilling and doing what I usually do during my lunch. Writing some scenes for my main story ,while enjoying some deer jerky and sweet tea. When M, S and ST came in and sat down to eat. M and S decided to sit at the table I was sitting at. While ST sat right at the table behind us. Probably to stare at M and S or to be nosy is my guess. When they decided to talk to me.
M: Hey CJ what are you writing?
S: Yeah we always see you writing in those notebooks when we go on lunch
Me:(blushing a little and getting tongue tied because my crush talked to me) Oh just..... some stories that I want to turn into a film/tv series
S: Whoa! What’s it about. Can I read one of them.
M: Same here. I’m curious to see what you got. You don’t mind a little criticism do you CJ.
Me: uh.....Sure I could use a little feedback. It’ll help me get better and improve ......my writing style.
(I was cool with it but deep down ,I was nervous ASF. This was the first time I allowed anyone to read my work. My crush was reading my work and another girl whose pretty much a female Simon Cowell and one of the realest people. I've ever met is preparing to judge it.)
I handed them one of my note books and After they read a couple of chapters they both spoke.
M: It's a pretty solid read. I love the MC but you should give him a little more depth. Also I get a sense of what kinda of universe you're setting up. It's a little out there but I say stick with it. You definitely were inspired by multiple sources of mainstream series but at the same time you have some originality here.
S: Same here. I really like you're Savannah character. She's a total badass. She seems to be a very good contrast to your MC.
( Little did she know that I based that character off of her. That and I love strong female characters like Erza scarlet, Mikasa ect. The more bad ass the better. Never been much of a fan of the damsel in distress thing. Its really over done and why I'm not a fan of stuff like Mario. However I do love the mario kart series )
Me: Thanks that's exactly what I was going for.....
while M,S and I were talking. ST. Walks over and snatches my notebook to read it.
Me: Hey! what you are doing...... that's mine dude.
S: Yeah CJ didn't give you permission to read that dude.
ST: You Females seem way too interested in what he’s been writing. It can't be that good.
M: Dude no one asked you to be over here. rude much!
ST ignores M and reads it.
ST: It's shit dude. There aren't any orcs or blood elves.( He went on and on and on and on about creatures. I don't feel like typing all that ) It's not even relatable. You're MC shouldn't be Black. People wont relate to that.
Me: ( I raise my voice and stubbled with my words a little ) What the.... hell? I didn't ask for you..... to read my stuff. You're not my target audience.... nor are you a professional publisher or anything. Its my story and....... I’ll do whatever I damn well please with it.
M: What exactly do you mean "not relatable because the MC is black". I'm Korean and I can relate to it. I think you're just being ignorant and you're too simple minded to understand it dude. It's not cool or attractive to shit on people's work and dreams.
ST looks M dead in the eye in shock because "a woman dared to speak to him so sternly". He cleared his throat and in a sad attempt to try and defend his claims, came up with alot of dumb explanations .That literally have nothing to do with my series. Like pandering to black people, POC and democratic agendas and bunch of other shit that I don't care for. yada yada yada. (Just STFU already.)
S: How tf is it pandering to POC and democratic agendas.
Me: Dude It's a story about a 14 year old boy....... and his friends discovering a hidden heritage hidden from them by their parents . They are Sages, beings that can use....... elemental abilities and nature in battle. While learning about different cultures. Its an Action/Comedy and fantasy based series with a touch of realism and raunchiness . Dude why tf are you reaching ....for something that ain't there.
ST: Of course you wouldn't get it. What’s really not attractive is how you wrote your female characters. They don't cook, clean or act how a proper woman should. Women don't belong in fights and battlefields. Just leave the fighting to the men like its supposed to be .
It was an awkward silence at the table after we heard him say this shit. As I gave him the blankest stare and said
Me: Really dude! (not really what I said but y'all know what I mean. ) you can't be this dumb. Whatever if its.... such an issue write your own damn story asshole!
S: dude WTF . We aren't in the 50's. It's not relatable to someone like YOU! That and you only red a little of it. How can you say something is shit when you haven't read enough of it. I think it has potential.
It was at this moment my heart skipped a beat hearing her say that. I snatched my notebook back real quick out of his fat grubby hand and stared him down.
ST: Idk why you’re so upset. I’m just saying if you change your story up you’ll get more attention.
Me: Yeah again no one asked you! My story , my universe and my rules. Deal with it.
ST: All you gotta do is add ( a crap load of creatures I’ve never heard of nor do I care about.) and make all the women at least act like real women.
After hearing him say that. I'm just thinking " is this mf serious."
Me: If you feel that way write your own damn stories jackass!
I was pissed and annoyed . This guy was really making my blood boil. Just when I thought things couldn't get any worse. This fool pulls out a chair and sits next to S. Like he didn't just say all that wild shit.
S: Dude wtf are you doing
She smelled his b.o. and the face she was making was pretty obvious of it and yet he didn't catch on.
ST: Just Sitting next you m'lady( tips his hat to her like an idiot)
M is just sitting there fuming a little from this asshole's words trying to calm down. While also trying to not breath in this walking cow pie's paint peeling stench.
M: You need to give us 10 feet dude you smell like a hog's ass. You're over here shitting on other people's work like you're better than everyone else. You're so damn Conceited.
I could tell M was trying her best not to loose her temper and roast em to a crisp. The whole time I was sitting there with my fingers crossed. Thinking "Please roast his ass so he will go tf away. Our noses can't take anymore abuse."
S:( waving her hand in front of her nose and face) you act like you can do.... better and seriously dude go sit at the other table.
After He heard that he got a weird smug smirk on his face and pretty much ignored what was said about his B.O.
ST: of course I can. I could write circles around him and his garbage characters. Wanna see my stories m'lady, and maybe later we could.....
S: Uhhhhh I don't want to see your......
But before S could even say no. ST gets up from the chair, giving our noses a short break from his stench and gets his dirty "mystery" stain covered sting backpack and pulls out a crusty yellow journal.
ST: Here you go S. this is what true art is.
He says this while trying to make an intimidating glare at me and it was not very effective. I really wanted to straight up punch em but if I wasn't at my job. I would've done it without a second thought. You'd think things couldn't get any worse. Like he's just gonna show S a few stories right. What could possible go wrong. Alot could actually but what happened next. I really wasn't ready for.
(que the kevin heart meme: Nooooooo he wasn't ready. He wasn't ready!!!!)
This dude Did the worst thing you could possibly do while beautiful girls are around. He committed Social suicide by adding to his creep factor. This Fool handed S, his sexually charged fanfics of his sick twisted desires. Some involving very obvious signs of who it was about with literally no subtly in the "name changes". Fanfics of who you may ask? Well it involved both M and S doing very sick and vulgar acts to him and each other. The look on S's face was of pure disgust and embarrassment. I skimmed it and it was straight up NASTY!!!! I truly felt like I was gonna loose my lunch. He was just sitting there stench and all with a shit eating grin. As if he didn't do, What he just did. M reads it as well and SHE IS PISSSSSSSSSED!!!!!!
M: ST WTF is wrong with you. This is DISGUSTING!!!!!!
Me: You write stuff like that..... and you call my work shit. FOH!
ST: What!! its what Females should be doing. cooking, cleaning and giving pleasure to their man. Like God said they should.
Yes y'all he actually said this bullshit with like no ounce of shame or any sign of sarcasm nor did he say it like he was joking either.
S: I may not be religious but I'm pretty sure God never said any bullshit like that!! Get TF AWAY from me. Dude you're sick!
She threw the notebook at him full force and it knocked his crusty hat off his head.
ST: I still don't see why you're mad its just my vision. (while trying to pick his hat off the floor) You females just can't handle the truth of your roles in society. The natural order of how the world should be.
M: I don't know where you come from but women aren't objects. you sick fuck!
ST: You're females! your opinions don't count! I don't have to take this Bull shit from any of you. Don't blame me because you all don't know your place in society . (Yada yada yada. He kept talking yall)
As he kept on talking, my alarm for my break time went off. I put my notebooks up in my locker. put my gloves, back brace and vest back on and head back to work. So did M and S. He literally kept talking as we walked out of the break room. M and S went to the managers office after their shifts were over to inform the boss about what was written about them, his sexist rhetoric and his B.O. problem. You're probably wondering what became of that. Nothing was done except a stern talking to because our manager at the time was pretty fucking spineless. As in He would let a customer get his/her way no matter how wrong they were. Basically he gave M and S the "boys will be boys" BS instead of taking it to HR. As for ST ,I wasn't kidding about the "social suicide" thing. Word about his "sick book of desires" spread like wildfire at our store. Like, no joke, the people with the day off or on vacation already knew about it. Everyone, well at least most of the female coworkers avoided him like a sack full rattle snakes for I wanna say about 3 months. He avoided us like the plague and didn't really speak to us much for a while. He pretty much kept talking everyone else's heads off and trying to play victim but no one was buying any of the bull shit he was selling and Yet This is but one of many of his "beardy shenanigans". I have other stories about him and other neckbeards from my past. If anyone wants me to post em just ask.
Thanks for reading.
submitted by BigBamaBoy93 to MoonhorseStories [link] [comments]


2020.09.10 02:33 Britneyfan456 Which Director had the best run in the 80s?

Best run in terms of anything
Martin Scorsese: Raging Bull, The King of Comedy, After Hours, The Color of Money, and The Last Temptation of Christ.
Spike Lee: She’s Gotta Have it, Do The Right Thing, and School Daze.
Francis Ford Coppola: Rumble Fish, The Cotton Club, The Outsiders, Tucker: The Man and His Dream, Peggy Sue Got Married, and Gardens of Stone.
Robert Altman: Secret Honor, Popeye, Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean, Aria, Beyond Therapy, Streamers, Health, Fool for Love, and O.C. and Stiggs.
Robert Redford: Ordinary People and The Milagro Beanfield War.
Robert Zemeckis: Back to The Future 1 & 2, Used Cars, Romancing the Stone, and Who Framed Roger Rabbit.
Steven Spielberg: ET, Indiana Jones Trilogy, Always, Empire of the Sun, and The Color Purple.
John Carpenter: The Fog, They Live, Escape From New York, Starman, The Thing, Christine, Big Trouble in Little China, and Prince of Darkness.
John Huston: The Dead, Prizzi's Honor, Annie, Victory, Phobia, and Under the Volcano.
David Cronenberg: The Fly, Videodrome, The Dead Zone, The Scanners, and Dead Ringers.
David Lynch: The Elephant Man, Dune, and Blue Velvet.
Oliver Stone: Platoon, Wall Street, Born on the Fourth of July, Salvador, and Talk Radio.
James L. Brooks: Terms of Endearment and Broadcast News
Mike Nichols: Working Girl, Silkwood, Heartburn, Biloxi Blues, and Gilda Live.
John Hughes: Sixteen Candles, The Breakfast Club, Uncle Buck, Weird Science, She's Having a Baby, Planes, Trains and Automobiles, and Ferris Bueller's Day Off.
James Cameron: Aliens, Piranha II: The Spawning, The Abyss, and The Terminator.
Rob Reiner: This Is Spinal Tap, When Harry met Sally, The Sure Thing, The Princess Bride, and Stand by Me.
Tim Burton: Pee-wee's Big Adventure, Batman, and Beetlejuice.
John Landis: Coming to America, Into the Night, The Blues Brothers, Trading Places, An American Werewolf in London, Three Amigos, and Spies Like Us.
Richard Donner: The Toy, The Goonies, Lethal Weapon 1 & 2, Ladyhawke, and Scrooged.
Ridley Scott: Legend, Blade Runner, Black Rain, and Someone to Watch Over Me.
Harold Ramis: National Lampoon's Vacation, Caddyshack, and Club Paradise.
Barry Levinson: Diner, Tin Men, The Natural, Rain Man, Good Morning Vietnam, and Young Sherlock Homes. Terry Gilliam: Brazil, The Adventures of Baron Munchausen, and Time Bandits.
Werner Herzog: Huie's Sermon, God's Angry Man, Fitzcarraldo, Where the Green Ants Dream, Ballad of the Little Soldier, The Dark Glow of the Mountains, Cobra Verde, and Herdsmen of the Sun.
Albert Brooks: Lost in America and Modern Romance.
Brian De Palma: Scarface, Dressed to Kill, The Untouchables, Body Double, Blow Out, Casualties of War, and Wise Guys. Kathryn Bigelow: Near Dark, and The Loveless.
George Miller: Mad Max 2, The Witches of Eastwick, and Mad Max Beyond Thunderdome.
Sydney Pollack: Tootsie, Absence of Malice, and Out of Africa.
Hans-Jürgen Syberberg: Parsifal, Die Marquise von O., Die Nacht, Fräulein Else, Penthesilea, and Edith Clever liest Joyce.
Eldar Ryazanov: A Cruel Romance, Station for Two, Say a Word for the Poor Hussar, Forgotten Melody for a Flute, and Dear Yelena Sergeyevna.
Claude Chabrol: Story of Women, Masques, The Cry of the Owl, Inspecteur Lavardin, Cop au Vin, The Horse of Pride, The Hatter's Ghost, and The Blood of Others.
Andrei Tarkovsky: The Sacrifice and Nostalghia.
Akira Kurosawa: Ran and Kagemusha.
Lawrence Kasdan: Body Heat, The Accidental Tourist, The Big Chill, and Silverado.
The Coen Brothers: Blood Simple and Raising Arizona
Sidney Lumet: The Verdict, Power, Running on Empty, Family Business, Daniel, Garbo Talks, The Morning After, Deathtrap, Just Tell Me What You Want, and Prince of the City.
Norman Jewison: Moonstruck, A Soldier's Story, Agnes of God, Best Friends, and In Country.
Alan J. Pakula: Sophie's Choice, Orphans, Rollover, Dream Lover, and See You in the Morning.
Ron Howard: Willow, Cocoon, Night Shift, Gung Ho, Parenthood, and Splash.
Woody Allen: A Midsummer Night's Sex Comedy, Broadway Danny Rose, Hannah and Her Sisters, Radio Days, Zelig, Stardust Memories, September, The Purple Rose of Cairo, Crimes and Misdemeanors, and Another Woman.
Ivan Reitman: Ghost Busters 1 & 2, Stripes, and Meatballs.
Stanley Kubrick: The Shining and Full Metal Jacket.
Abel Ferrara: Fear City, Ms. 45, Cat Chaser, and China Girl.
Paul Verhoeven: Spetters, The Fourth Man, Robo Cop, and Flesh and Blood.
Irvin Kershner: The Empire Strikes Back and Never Say Never Again.
Eric Rohmer: Catherine de Heilbronn, La Femme de l'aviateur, Le Beau mariage, Pauline à la plage, Les Nuits de la pleine lune, Le Rayon vert, L'Ami de mon amie, Le trio en si bémol, and Quatre Aventures de Reinette et Mirabelle.
Hayao Miyazaki: Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, and Nausicaä of the Valley of the Wind.
Alain Resnais: Melo, My American Uncle, Life Is a Bed of Roses, Love Unto Death, and I Want to Go Home.
Milos Forman: Ragtime, Amadeus, and Valmont.
Shohei Imamura: The Ballad of Narayama, Vengeance Is Mine, Zegen, and Eijanaika.
John Waters: Hairspray and Polyester. Hou Hsiao-hsien: A City of Sadness, Ah Feu, Growing Up, The Green, Green Grass of Home, Cute Girl, Cheerful Wind, Coming of Age Trilogy, The Boys from Fengkuei, and Daughter of the Nile.
Dario Argento: Inferno, Tenebrae, Phenomena, and Opera. Wim Winders: Wings of Desire, The State of Things, Paris, Texas, Lightning Over Water, Room 666, Hammett, Notebook on Cities and Clothes, and Tokyo-Ga.
Jim Jarmusch: Stranger Than Paradise, Mystery Train, Down by Law, and Permanent Vacation.
Pedro Almodóvar: Matador, Women on the Verge of a Nervous Breakdown, Law of Desire, Dark Habits, What Have I Done to Deserve This?, Pepi, Luci, Bom, and Labyrinth of Passion.
Godfrey Reggio: Koyaanisqatsi, Powaqqatsi, and Songlines. Isao Takahata: Jarinko Chie, Gauche the Cellist, Grave of the Fireflies, and The Story of Yanagawa's Canals.
Edward Yang: Taipei Story, Terrorizers, and That Day, on the Beach.
Michael Mann: Thief, Manhunter, and The Keep. Paul Schrader: Mishima: A Life in Four Chapters, Light of Day, Patty Hearst, American Gigolo, and Cat People.
John Woo: A Better Tomorrow, The Killer, Run, Tiger, Run, To Hell with the Devil, Laughing Times, Heroes Shed No Tears, From Riches to Rags, and Plain Jane to the Rescue.
Jonathan Demme: Melvin and Howard, Swing Shift, Something Wild, Swimming to Cambodia, and Married to the Mob. Rainer Werner Fassbinder: Berlin Alexanderplatz, Lola, Lili Marleen, and Querelle.
John Cassavetes: Gloria, Big Trouble, and Love Streams.
John McTiernan: Die Hard, Predator, and Nomads.
William Friedkin: Cruising, To Live and Die in L.A., Rampage, and Deal of the Century.
Jean Rollin: La Nuit des Traquées, Les Paumées du Petit Matin, Les Trottoirs de Bangkok, La Morte Vivante, and Perdues dans New York.
Philip Kaufman: The Right Stuff and The Unbearable Lightness of Being.
Juzo Itami: Tampopo, The Funeral, A Taxing Woman, and A Taxing Woman Returns.
Andrzej Żuławski: On the Silver Globe, My Nights Are More Beautiful Than Your Days, L'Amour braque, The Public Woman, and Possession.
Alex Cox: Repo Man, Walker, Sid and Nancy, and Straight to Hell.
Krzysztof Kieślowski: Dekalog, A Short Film About Killing, No End, Blind Chance, A Short Film About Love, and Short Working Day.
Chris Marker: 2084, Junkopia, Matta, A.K., eclats, Mémoires pour Simone, Spectre, Tokyo Days, L'héritage de la chouette, and From Chris to Christo.
Atom Egoyan: Next of Kin, Speaking Parts, and Family Viewing.
Manoel de Oliveira: The Satin Slipper, My Case, Francisca, The Cannibals, and The Cannibals.
submitted by Britneyfan456 to flicks [link] [comments]


2020.09.07 19:16 Britneyfan456 Which Director had the best run in the 80s?

Best run in terms of anything
Martin Scorsese: Raging Bull, The King of Comedy, After Hours, The Color of Money, and The Last Temptation of Christ.
Spike Lee: She’s Gotta Have it, Do The Right Thing, and School Daze.
Francis Ford Coppola: Rumble Fish, The Cotton Club, The Outsiders, Tucker: The Man and His Dream, Peggy Sue Got Married, and Gardens of Stone.
Robert Altman: Secret Honor, Popeye, Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean, Aria, Beyond Therapy, Streamers, Health, Fool for Love, and O.C. and Stiggs.
Robert Redford: Ordinary People and The Milagro Beanfield War.
Robert Zemeckis: Back to The Future 1 & 2, Used Cars, Romancing the Stone, and Who Framed Roger Rabbit.
Steven Spielberg: ET, Indiana Jones Trilogy, Always, Empire of the Sun, and The Color Purple.
John Carpenter: The Fog, They Live, Escape From New York, Starman, The Thing, Christine, Big Trouble in Little China, and Prince of Darkness.
John Huston: The Dead, Prizzi's Honor, Annie, Victory, Phobia, and Under the Volcano.
David Cronenberg: The Fly, Videodrome, The Dead Zone, The Scanners, and Dead Ringers.
David Lynch: The Elephant Man, Dune, and Blue Velvet.
Oliver Stone: Platoon, Wall Street, Born on the Fourth of July, Salvador, and Talk Radio.
James L. Brooks: Terms of Endearment and Broadcast News
Mike Nichols: Working Girl, Silkwood, Heartburn, Biloxi Blues, and Gilda Live.
John Hughes: Sixteen Candles, The Breakfast Club, Uncle Buck, Weird Science, She's Having a Baby, Planes, Trains and Automobiles, and Ferris Bueller's Day Off.
James Cameron: Aliens, Piranha II: The Spawning, The Abyss, and The Terminator.
Rob Reiner: This Is Spinal Tap, When Harry met Sally, The Sure Thing, The Princess Bride, and Stand by Me.
Tim Burton: Pee-wee's Big Adventure, Batman, and Beetlejuice.
John Landis: Coming to America, Into the Night, The Blues Brothers, Trading Places, An American Werewolf in London, Three Amigos, and Spies Like Us.
Richard Donner: The Toy, The Goonies, Lethal Weapon 1 & 2, Ladyhawke, and Scrooged.
Ridley Scott: Legend, Blade Runner, Black Rain, and Someone to Watch Over Me.
Harold Ramis: National Lampoon's Vacation, Caddyshack, and Club Paradise.
Barry Levinson: Diner, Tin Men, The Natural, Rain Man, Good Morning Vietnam, and Young Sherlock Homes. Terry Gilliam: Brazil, The Adventures of Baron Munchausen, and Time Bandits.
Werner Herzog: Huie's Sermon, God's Angry Man, Fitzcarraldo, Where the Green Ants Dream, Ballad of the Little Soldier, The Dark Glow of the Mountains, Cobra Verde, and Herdsmen of the Sun.
Albert Brooks: Lost in America and Modern Romance.
Brian De Palma: Scarface, Dressed to Kill, The Untouchables, Body Double, Blow Out, Casualties of War, and Wise Guys. Kathryn Bigelow: Near Dark, and The Loveless.
George Miller: Mad Max 2, The Witches of Eastwick, and Mad Max Beyond Thunderdome.
Sydney Pollack: Tootsie, Absence of Malice, and Out of Africa.
Hans-Jürgen Syberberg: Parsifal, Die Marquise von O., Die Nacht, Fräulein Else, Penthesilea, and Edith Clever liest Joyce.
Eldar Ryazanov: A Cruel Romance, Station for Two, Say a Word for the Poor Hussar, Forgotten Melody for a Flute, and Dear Yelena Sergeyevna.
Claude Chabrol: Story of Women, Masques, The Cry of the Owl, Inspecteur Lavardin, Cop au Vin, The Horse of Pride, The Hatter's Ghost, and The Blood of Others.
Andrei Tarkovsky: The Sacrifice and Nostalghia.
Akira Kurosawa: Ran and Kagemusha.
Lawrence Kasdan: Body Heat, The Accidental Tourist, The Big Chill, and Silverado.
The Coen Brothers: Blood Simple and Raising Arizona
Sidney Lumet: The Verdict, Power, Running on Empty, Family Business, Daniel, Garbo Talks, The Morning After, Deathtrap, Just Tell Me What You Want, and Prince of the City.
Norman Jewison: Moonstruck, A Soldier's Story, Agnes of God, Best Friends, and In Country.
Alan J. Pakula: Sophie's Choice, Orphans, Rollover, Dream Lover, and See You in the Morning.
Ron Howard: Willow, Cocoon, Night Shift, Gung Ho, Parenthood, and Splash.
Woody Allen: A Midsummer Night's Sex Comedy, Broadway Danny Rose, Hannah and Her Sisters, Radio Days, Zelig, Stardust Memories, September, The Purple Rose of Cairo, Crimes and Misdemeanors, and Another Woman.
Ivan Reitman: Ghost Busters 1 & 2, Stripes, and Meatballs.
Stanley Kubrick: The Shining and Full Metal Jacket.
Abel Ferrara: Fear City, Ms. 45, Cat Chaser, and China Girl.
Paul Verhoeven: Spetters, The Fourth Man, Robo Cop, and Flesh and Blood.
Irvin Kershner: The Empire Strikes Back and Never Say Never Again.
Eric Rohmer: Catherine de Heilbronn, La Femme de l'aviateur, Le Beau mariage, Pauline à la plage, Les Nuits de la pleine lune, Le Rayon vert, L'Ami de mon amie, Le trio en si bémol, and Quatre Aventures de Reinette et Mirabelle.
Hayao Miyazaki: Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, and Nausicaä of the Valley of the Wind.
Alain Resnais: Melo, My American Uncle, Life Is a Bed of Roses, Love Unto Death, and I Want to Go Home.
Milos Forman: Ragtime, Amadeus, and Valmont.
Shohei Imamura: The Ballad of Narayama, Vengeance Is Mine, Zegen, and Eijanaika.
John Waters: Hairspray and Polyester.
Hou Hsiao-hsien: A City of Sadness, Ah Feu, Growing Up, The Green, Green Grass of Home, Cute Girl, Cheerful Wind, Coming of Age Trilogy, The Boys from Fengkuei, and Daughter of the Nile.
Dario Argento: Inferno, Tenebrae, Phenomena, and Opera.
Wim Winders: Wings of Desire, The State of Things, Paris, Texas, Lightning Over Water, Room 666, Hammett, Notebook on Cities and Clothes, and Tokyo-Ga.
Jim Jarmusch: Stranger Than Paradise, Mystery Train, Down by Law, and Permanent Vacation.
Pedro Almodóvar: Matador, Women on the Verge of a Nervous Breakdown, Law of Desire, Dark Habits, What Have I Done to Deserve This?, Pepi, Luci, Bom, and Labyrinth of Passion.
Godfrey Reggio: Koyaanisqatsi, Powaqqatsi, and Songlines.
Isao Takahata: Jarinko Chie, Gauche the Cellist, Grave of the Fireflies, and The Story of Yanagawa's Canals.
Edward Yang: Taipei Story, Terrorizers, and That Day, on the Beach.
Michael Mann: Thief, Manhunter, and The Keep. Paul Schrader: Mishima: A Life in Four Chapters, Light of Day, Patty Hearst, American Gigolo, and Cat People.
John Woo: A Better Tomorrow, The Killer, Run, Tiger, Run, To Hell with the Devil, Laughing Times, Heroes Shed No Tears, From Riches to Rags, and Plain Jane to the Rescue.
Jonathan Demme: Melvin and Howard, Swing Shift, Something Wild, Swimming to Cambodia, and Married to the Mob. Rainer Werner Fassbinder: Berlin Alexanderplatz, Lola, Lili Marleen, and Querelle.
John Cassavetes: Gloria, Big Trouble, and Love Streams.
John McTiernan: Die Hard, Predator, and Nomads.
William Friedkin: Cruising, To Live and Die in L.A., Rampage, and Deal of the Century.
Jean Rollin: La Nuit des Traquées, Les Paumées du Petit Matin, Les Trottoirs de Bangkok, La Morte Vivante, and Perdues dans New
Philip Kaufman: The Right Stuff and The Unbearable Lightness of Being.
Juzo Itami: Tampopo, The Funeral, A Taxing Woman, and A Taxing Woman Returns.
Andrzej Żuławski: On the Silver Globe, My Nights Are More Beautiful Than Your Days, L'Amour braque, The Public Woman, and Possession.
Alex Cox: Repo Man, Walker, Sid and Nancy, and Straight to Hell.
Krzysztof Kieślowski: Dekalog, A Short Film About Killing, No End, Blind Chance, A Short Film About Love, and Short Working Day.
Chris Marker: 2084, Junkopia, Matta, A.K., eclats, Mémoires pour Simone, Spectre, Tokyo Days, L'héritage de la chouette, and From Chris to Christo.
submitted by Britneyfan456 to criterion [link] [comments]


2020.09.07 15:25 Britneyfan456 Which Director had the best run in the 80s?

Best run in terms of anything
Martin Scorsese: Raging Bull, The King of Comedy, After Hours, The Color of Money, and The Last Temptation of Christ.
Spike Lee: She’s Gotta Have it, Do The Right Thing, and School Daze.
Francis Ford Coppola: Rumble Fish, The Cotton Club, The Outsiders, Tucker: The Man and His Dream, Peggy Sue Got Married, and Gardens of Stone.
Robert Altman: Secret Honor, Popeye, Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean, Aria, Beyond Therapy, Streamers, Health, Fool for Love, and O.C. and Stiggs.
Robert Redford: Ordinary People and The Milagro Beanfield War.
Robert Zemeckis: Back to The Future 1 & 2, Used Cars, Romancing the Stone, and Who Framed Roger Rabbit.
Steven Spielberg: ET, Indiana Jones Trilogy, Always, Empire of the Sun, and The Color Purple.
John Carpenter: The Fog, They Live, Escape From New York, Starman, The Thing, Christine, Big Trouble in Little China, and Prince of Darkness.
John Huston: The Dead, Prizzi's Honor, Annie, Victory, Phobia, and Under the Volcano.
David Cronenberg: The Fly, Videodrome, The Dead Zone, The Scanners, and Dead Ringers.
David Lynch: The Elephant Man, Dune, and Blue Velvet.
Oliver Stone: Platoon, Wall Street, Born on the Fourth of July, Salvador, and Talk Radio.
James L. Brooks: Terms of Endearment and Broadcast News
Mike Nichols: Working Girl, Silkwood, Heartburn, Biloxi Blues, and Gilda Live.
John Hughes: Sixteen Candles, The Breakfast Club, Uncle Buck, Weird Science, She's Having a Baby, Planes, Trains and Automobiles, and Ferris Bueller's Day Off.
James Cameron: Aliens, Piranha II: The Spawning, The Abyss, and The Terminator.
Rob Reiner: This Is Spinal Tap, When Harry met Sally, The Sure Thing, The Princess Bride, and Stand by Me.
Tim Burton: Pee-wee's Big Adventure, Batman, and Beetlejuice.
John Landis: Coming to America, Into the Night, The Blues Brothers, Trading Places, An American Werewolf in London, Three Amigos, and Spies Like Us.
Richard Donner: The Toy, The Goonies, Lethal Weapon 1 & 2, Ladyhawke, and Scrooged.
Ridley Scott: Legend, Blade Runner, Black Rain, and Someone to Watch Over Me.
Harold Ramis: National Lampoon's Vacation, Caddyshack, and Club Paradise.
Barry Levinson: Diner, Tin Men, The Natural, Rain Man, Good Morning Vietnam, and Young Sherlock Homes.
Terry Gilliam: Brazil, The Adventures of Baron Munchausen, and Time Bandits.
Werner Herzog: Huie's Sermon, God's Angry Man, Fitzcarraldo, Where the Green Ants Dream, Ballad of the Little Soldier, The Dark Glow of the Mountains, Cobra Verde, and Herdsmen of the Sun.
Albert Brooks: Lost in America and Modern Romance.
Brian De Palma: Scarface, Dressed to Kill, The Untouchables, Body Double, Blow Out, Casualties of War, and Wise Guys.
Kathryn Bigelow: Near Dark, and The Loveless.
George Miller: Mad Max 2, The Witches of Eastwick, and Mad Max Beyond Thunderdome.
Sydney Pollack: Tootsie, Absence of Malice, and Out of Africa.
Hans-Jürgen Syberberg: Parsifal, Die Marquise von O., Die Nacht, Fräulein Else, Penthesilea, and Edith Clever liest Joyce.
Eldar Ryazanov: A Cruel Romance, Station for Two, Say a Word for the Poor Hussar, Forgotten Melody for a Flute, and Dear Yelena Sergeyevna.
Claude Chabrol: Story of Women, Masques, The Cry of the Owl, Inspecteur Lavardin, Cop au Vin, The Horse of Pride, The Hatter's Ghost, and The Blood of Others.
Andrei Tarkovsky: The Sacrifice and Nostalghia.
Akira Kurosawa: Ran and Kagemusha.
Lawrence Kasdan: Body Heat, The Accidental Tourist, The Big Chill, and Silverado.
The Coen Brothers: Blood Simple and Raising Arizona
Sidney Lumet: The Verdict, Power, Running on Empty, Family Business, Daniel, Garbo Talks, The Morning After, Deathtrap, Just Tell Me What You Want, and Prince of the City.
Norman Jewison: Moonstruck, A Soldier's Story, Agnes of God, Best Friends, and In Country.
Alan J. Pakula: Sophie's Choice, Orphans, Rollover, Dream Lover, and See You in the Morning.
Ron Howard: Willow, Cocoon, Night Shift, Gung Ho, Parenthood, and Splash.
Woody Allen: A Midsummer Night's Sex Comedy, Broadway Danny Rose, Hannah and Her Sisters, Radio Days, Zelig, Stardust Memories, September, The Purple Rose of Cairo, Crimes and Misdemeanors, and Another Woman.
Ivan Reitman: Ghost Busters 1 & 2, Stripes, and Meatballs.
Stanley Kubrick: The Shining and Full Metal Jacket.
Abel Ferrara: Fear City, Ms. 45, Cat Chaser, and China Girl.
Paul Verhoeven: Spetters, The Fourth Man, Robo Cop, and Flesh and Blood.
Irvin Kershner: The Empire Strikes Back and Never Say Never Again.
Eric Rohmer: Catherine de Heilbronn, La Femme de l'aviateur, Le Beau mariage, Pauline à la plage, Les Nuits de la pleine lune, Le Rayon vert, L'Ami de mon amie, Le trio en si bémol, and Quatre Aventures de Reinette et Mirabelle.
Hayao Miyazaki: Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, and Nausicaä of the Valley of the Wind.
Alain Resnais: Melo, My American Uncle, Life Is a Bed of Roses, Love Unto Death, and I Want to Go Home.
Milos Forman: Ragtime, Amadeus, and Valmont.
Shohei Imamura: The Ballad of Narayama, Vengeance Is Mine, Zegen, and Eijanaika.
John Waters: Hairspray and Polyester.
Hou Hsiao-hsien: A City of Sadness, Ah Feu, Growing Up, The Green, Green Grass of Home, Cute Girl, Cheerful Wind, Coming of Age Trilogy, The Boys from Fengkuei, and Daughter of the Nile.
Dario Argento: Inferno, Tenebrae, Phenomena, and Opera.
Wim Winders: Wings of Desire, The State of Things, Paris, Texas, Lightning Over Water, Room 666, Hammett, Notebook on Cities and Clothes, and Tokyo-Ga.
Jim Jarmusch: Stranger Than Paradise, Mystery Train, Down by Law, and Permanent Vacation.
Pedro Almodóvar: Matador, Women on the Verge of a Nervous Breakdown, Law of Desire, Dark Habits, What Have I Done to Deserve This?, Pepi, Luci, Bom, and Labyrinth of Passion.
Godfrey Reggio: Koyaanisqatsi, Powaqqatsi, and Songlines.
Isao Takahata: Jarinko Chie, Gauche the Cellist, Grave of the Fireflies, and The Story of Yanagawa's Canals.
Edward Yang: Taipei Story, Terrorizers, and That Day, on the Beach.
Michael Mann: Thief, Manhunter, and The Keep.
Paul Schrader: Mishima: A Life in Four Chapters, Light of Day, Patty Hearst, American Gigolo, and Cat People.
John Woo: A Better Tomorrow, The Killer, Run, Tiger, Run, To Hell with the Devil, Laughing Times, Heroes Shed No Tears, From Riches to Rags, and Plain Jane to the Rescue.
Jonathan Demme: Melvin and Howard, Swing Shift, Something Wild, Swimming to Cambodia, and Married to the Mob.
Rainer Werner Fassbinder: Berlin Alexanderplatz, Lola, Lili Marleen, and Querelle.
John Cassavetes: Gloria, Big Trouble, and Love Streams.
John McTiernan: Die Hard, Predator, and Nomads.
William Friedkin: Cruising, To Live and Die in L.A., Rampage, and Deal of the Century.
Alan Parker- Pink Floyd’s The Wall,Mississippi Burning,Angel Heart,Fame.
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2020.09.02 22:55 Sukuh1029 ː͡➘₊̣̇ TOP 50 BANDAS DEL K-POP FAMOSAS✧ ུ۪۪⸙↷ ❞┊

ː͡➘₊̣̇ TOP 50 BANDAS DEL K-POP FAMOSAS✧ ུ۪۪⸙↷ ❞┊
Hay veces que te as preguntado ¿Cuáles son las bandas del K-pop más Famosas? Si lo has hecho y estas buscando Videos, Post, Publicaciones Etc para saber cuales son, ¡Estas en el Post correcto! [email protected] a BANDAS K-POP FAMOSAS. 1 - BLACK PINK - Blackpink es un grupo femenino formado por YG Entertainment. Está integrado por cuatro miembros: Jisoo, Jennie, Rosé y Lisa. El grupo debutó el 8 de agosto de 2016, con su álbum sencillo titulado Square One, el cual está compuesto por «Whistle», su primera canción número uno en Corea del Sur. ¡Escucha a Black Pink en Spotify! Link Spotify : https://open.spotify.com/search/Black%20Pink
2 - EXO - Exo es una boy band surcoreana de K-pop. Formado por S.M. Entertainment en 2011, el grupo debutó en 2012 con doce integrantes separados en dos sub-grupos, EXO-K y EXO-M, interpretando música en coreano y mandarín. ¡Escucha a Exo en Spotify! Link Spotify : https://open.spotify.com/search/EXO
3 - SUPER JUNIOR - Super Junior, también conocido como SJ o SuJu, es una boy band de Corea del Sur, formada en 2005 por SM Entertainment. Constaba originalmente de 12 miembros especializados en el ámbito del entretenimiento musical y actoral. ¡Escucha a Super Junior en Spotify! Link Spotify :https://open.spotify.com/search/Super%20Junior
4 - TWICE - Twice es un grupo femenino surcoreano formado por JYP Entertainment a través del programa Sixteen. El grupo consta de nueve integrantes: Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung y Tzuyu. Twice debutó oficialmente el 20 de octubre de 2015 con el lanzamiento del miniálbum The Story Begins. ¡Escucha a Twice en Spotify! Link Spotify : https://open.spotify.com/search/Twice
5 - GIRLS' GENERATION - Girls' Generation; también conocido como SNSD es un girl group formado por el sello discográfico SM Entertainment en 2007. El grupo está compuesto por ocho miembros: Taeyeon, Sunny, Tiffany, Hyoyeon, Yuri, Sooyoung, Yoona y Seohyun. Originalmente siendo un grupo de nueve integrantes. ¡Escucha a Girls' Generation en Spotify! Link Spotify : https://open.spotify.com/search/Girls%20Generation
6 - BIG BANG - Big Bang, comúnmente estilizado como BIGBANG, es una banda musical surcoreana formada por G-Dragon, T.O.P, Taeyang y Daesung, bajo el sello discográfico YG Entertainment en 2006.​ ¡Escucha a Big Bang en Spotify! Link Spotify : https://open.spotify.com/search/Big%20Bang
7 - RED VELVET - Red Velvet es un grupo femenino surcoreano formado por S.M. Entertainment. El grupo debutó el 1 de agosto de 2014 con su sencillo digital «Happiness» y cuatro miembros: Irene, Seulgi, Wendy y Joy. .​ El 11 de marzo de 2015, Yeri fue añadida como la quinta y última integrante. ¡Escucha a Red Velvet en Spotify! Link Spotify : https://open.spotify.com/search/Red%20Velvet
8 - GOT7 - Got7 es una boy band surcoreana compuesta por siete miembros, tres de ellos extranjeros, formada por la discografía. JYP Entertainment. Su debut fue el 16 de enero de 2014 con el lanzamiento de la canción «Girls Girls Girls».​ ¡Escucha a Got7 en Spotify! Link Spotify : https://open.spotify.com/search/Got7
9 - WANNA ONE - Wanna One fue una boy band formada por CJ E&M en 2017 mediante el programa de supervivencia Produce 101 de Mnet.​ ¡Escucha a Wanna One en Spotify! Link Spotify : https://open.spotify.com/search/Wanna%20One
10 - SHINEE - SHINee; es una boy band formada por SM Entertainment en 2008.​​ Originalmente, el grupo estaba formado por cinco miembros: Onew, Jonghyun, Key, Minho y Taemin. Sin embargo, en diciembre de 2017, Jonghyun falleció. ¡Escucha a Shinee en Spotify! Link Spotify : https://open.spotify.com/search/Shinee
11 - MONSTA X - Monsta X, es una boy band surcoreana formada por la agencia Starship Entertainment en 2015 a través del programa "No.Mercy". El grupo estaba compuesto originalmente por siete integrantes: Shownu, Wonho, Minhyuk, Kihyun, Hyungwon, Joohoney y I.M. ¡Escucha a Monsta X en Spotify! Link Spotify : https://open.spotify.com/search/Monsta%20X
12 - SM TOWN - SM Town es el nombre en conjunto de los artistas de SM Entertainment. Ellos realizan giras anuales en varias partes del mundo desde SMTown Live '08. Hasta 2014, los conciertos de SM Town atrajeron más de un millón de personas.​ ¡Escucha a Sm Town en Spotify! Link Spotify : https://open.spotify.com/search/Sm%20Town
13 - SEVENTEEN - Seventeen, estilizado como SEVENTEEN o SVT, es un grupo musical surcoreano formado por Pledis Entertainment en el año 2015. El grupo consiste de 13 miembros divididos en tres sub-unidades, cada una con un área distinta de especialización: "Hip Hop Unit", "Vocal Unit" y "Performance Unit". ¡Escucha a Seventeen en Spotify! Link Spotify : https://open.spotify.com/search/Seventeen
14 - STRAY KIDS - Stray Kids es una boyband surcoreana formada por JYP Entertainment a través del reality show del mismo nombre en 2017. Estaba compuesto originalmente por nueve miembros: Woojin, Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin y I.N. ¡Escucha a Stray Kids en Spotify! Link Spotify : https://open.spotify.com/search/Stray%20Kids
15 - MAMAMOO - Mamamoo ​ es un grupo musical femenino surcoreano bajo la discográfica Rainbow Bridge World. Está compuesto por cuatro integrantes Solar, Moonbyul, Wheein y Hwasa. El grupo debutó oficialmente el 18 de junio de 2014 con la canción "Mr. Ambiguous".​ En su debut, fue considerado como el mejor grupo de K-pop en 2014.​​ ¡Escucha a Mamamoo en Spotify! Link Spotify : https://open.spotify.com/search/Mamamoo
16 - 2PM - 2PM es una banda surcoreana conformada por seis integrantes, formada por JYP Entertainment en el 2008. Los miembros actuales son Jun. K, Nichkhun, Taecyeon, Wooyoung, Junho, Chansung. El líder del grupo, Jay Park, abandonó la banda oficialmente a inicios del 2010. ¡Escucha a 2Pm en Spotify! Link Spotify : https://open.spotify.com/search/2pm
17 - WONDER GIRLS - Wonder Girls fue un grupo femenino surcoreano formado por el productor Park Jin Young bajo JYP Entertainment en 2006, pero debutaron en 2007.​​ Las últimas miembros del grupo fueron: Yubin, Yeeun, Sunmi y Hyerim. Sunye y Sohee abandonaron el grupo en 2015, pero Hyuna se fue en 2008. ¡Escucha a Wonder Girls en Spotify! Link Spotify : https://open.spotify.com/search/Wonder%20Girls
18 - 2NE1 - 2NE1, fue un grupo femenino surcoreano del género K-pop, formado por YG Entertainment en 2009. El grupo estuvo conformado por CL, Dara, Bom y Minzy; la última habría abandonado el grupo en abril de 2016. ¡Escucha a 2Ne1 en Spotify! Link Spotify : https://open.spotify.com/search/2Ne1
19 - GFRIEND - GFriend es un grupo musical femenino de Corea del Sur formado por 6 integrantes y creado por Source Music en 2015.​ Hicieron su debut con el EP Season of Glass el 15 de enero de 2015. GFriend ganó varios premios en 2015 y ha logrado un reconocimiento desde su debut, a pesar de venir de una compañía no tan reconocida.​ ¡Escucha a GFriend en Spotify! Link Spotify : https://open.spotify.com/search/GFriend
20 - LOONA - Loona, conocido también como «las chicas del mes», estilizado como LOOΠΔ, es un grupo de chicas surcoreano creado por Blockberry Creative, que debutó el 19 de agosto de 2018. Desde octubre de 2016 hasta marzo de 2018, una nueva miembro fue revelada cada mes, a través del lanzamiento de un single o extended play. ¡Escucha a Loona en Spotify! Link Spotify : https://open.spotify.com/search/Loona
21 - IKON - iKON, estilizado como iKON, es una boy band de Corea del Sur formado en 2015 por YG Entertainment. El grupo fue introducido por primera vez en el programa de supervivencia de realidad WIN: Who is Next como "Team B." ¡Escucha a Ikon en Spotify! Link Spotify : https://open.spotify.com/search/Ikon
22 - NCT - NCT es una boy band multinacional formada por S.M. Entertainment en 2016. Tiene 21 miembros confirmados, ​​ Su nombre proviene de Neo Culture Technology, un término acuñado por el fundador de S.M., Lee. ¡Escucha a Nct en Spotify! Link Spotify : https://open.spotify.com/search/Nct
23 - SS501 - SS501 es una popular Boyband surcoreana de K-Pop, que estuvo anteriormente bajo la dirección de DSP Entretainment desde su debut en 2005 hasta el último álbum de la banda lanzado en 2010. El nombre de la banda es una combinación del alfabeto y números que tienen un significado especial en ellos. ¡Escucha a Ss501 en Spotify! Link Spotify : https://open.spotify.com/search/Ss501
24 - KARD - KARD, es un grupo mixto surcoreano formado por la empresa DSP Media en 2016. Su nombre es un acrónimo de las palabras King, Ace, JokeR, HiDden que son cartas en una baraja, refiriéndose a que juntos forman un "Grupo Ferfecto". ¡Escucha a Kard en Spotify! Link Spotify : https://open.spotify.com/search/Kard
25 - EXID - EXID ​ es un girl group surcoreano creado por AB Entertainment en 2012. Hicieron su debut, con seis miembros, en febrero de 2012, con el sencillo «Whoz That Girl».​ Su primer EP, Hippity Hop, fue publicado en agosto de 2012, con poco éxito. ¡Escucha a Exid en Spotify! Link Spotify : https://open.spotify.com/search/Exid
26 - BLOCK B -
Block B es un grupo sur-coreano formado por Cho PD bajo su agencia Brand New Stardom. Tras una controversia con dicha agencia, se movieron a una nueva compañía llamada Seven Seasons. El 15 de abril de 2011, el grupo hizo su debut en Music Bank con su sencillo promocional "Freeze!". ¡Escucha a Block B en Spotify! Link Spotify : https://open.spotify.com/search/Block%20B
27 - BTOB - BTOB es una boyband surcoreana formada en 2012 por la discográfica Cube Entertainment. Sus integrantes son Eunkwang, Lee Minhyuk, Changsub, Hyunsik, Peniel, Jung Il Hoon y Yook Sungjae. El grupo debutó el 22 de marzo de 2012 en M! Countdown con Insane e Imagine.​ ¡Escucha a Btob en Spotify! Link Spotify : https://open.spotify.com/search/Btob
28 - NCT 127 - NCT 127 en hangul, 엔시티 127; estilizado como, es la segunda subunidad de la boy band surcoreana NCT, formado por el sello SM Entertainment en 2016.​ La subunidad basada en Seúl, debutó en julio de 2016 con el lanzamiento de su primer EP, NCT #127. ¡Escucha a Nct 127 en Spotify! Link Spotify : https://open.spotify.com/search/Nct%20127
29 - AOA - Inicialmente, AOA debutó como un girl group de siete integrantes compuesto por: Choa, Yuna, Youkyung, Hyejeong, Mina, Jimin, Seolhyun y Chanmi. Actualmente, AOA está promocionando como un Grupo de cuatro miembros después de las salidas de Youkyung (AOA Black), Choa, Mina y Jimin. ¡Escucha a Aoa en Spotify! Link Spotify : https://open.spotify.com/search/Aoa
30 - THE BOYZ - The Boyz es una boy band surcoreana formada por Cre.ker Entertainment en 2017. El grupo consiste de once integrantes: Sangyeon, Jacob, Younghoon, Hyunjae, Juyeon, Kevin, New, Q, Ju Haknyeon, Sunwoo, y Eric. Anteriormente formado también por Hwall, que dejó el grupo el día 23 de octubre de 2019 por problemas de salud. ¡Escucha a The Boyz en Spotify! Link Spotify : https://open.spotify.com/search/The%20Boyz
31 - CNBLUE - CNBLUE ​ es una banda de pop rock surcoreana formada en 2009.​ La banda esta compuesta por Jung Yong-hwa, Kang Min-hyuk, y Lee Jung-shin. El primer bajista, Kwon Kwang-jin, dejó la banda después de publicar el extended play debut japonés Now or Never en 2009, y fue reemplazado por Lee Jung-shin ¡Escucha a Cnblue en Spotify! Link Spotify : https://open.spotify.com/search/Cnblue
32 - TVXQ - TVXQ es un acrónimo de Tong Vfang Xien Qi​, y estilizado como TVXQ., ​ es un grupo de K Pop, procedente de Corea del Sur formado en 2003 bajo SM Entertainment. En Corea del Sur se les conoce como Dong Bang Shin Ki​​, abreviado a menudo por los fanes internacionales como DBSK, y en Japón como Tohoshinki. ¡Escucha a Tvxq en Spotify! Link Spotify : https://open.spotify.com/search/Tvxq
33 - WINNER - Winner es un grupo de chicos surcoreano formado en 2014 por YG Entertainment. Actualmente se compone de cuatro miembros, Jinwoo, Seunghoon, Mino y Seungyoon. El quinto miembro, Taehyun, dejó el grupo el 25 de noviembre de 2016 debido a problemas de salud. El grupo ha lanzado dos álbumes del estudio y un EP. ¡Escucha a Winner en Spotify! Link Spotify : https://open.spotify.com/search/Winner
34 - (G) I-DLE - (G)I-dle, es un grupo de chicas formado por Cube Entertainment en 2018. El grupo consta de seis integrantes: Miyeon, Minnie, Soojin, Soyeon, Yuqi y Shuhua. El grupo debutó el 2 de mayo de 2018 con el miniálbum I Am. ¡Escucha a (G) I-Dle en Spotify! Link Spotify : https://open.spotify.com/search/G%20Idle
35 - OH MY GIRL - Oh My Girl es un grupo femenino surcoreano formado por la empresa WM Entertainment en 2015.​ ¡Escucha a Oh My Girl en Spotify! Link Spotify : https://open.spotify.com/search/Oh%20My%20Girl
36 - A PINK - A Pink es un girl group surcoreano formado por Plan A Entertainment en 2011. El grupo está compuesto por seis integrantes: Park Cho Rong, Yoon Bo Mi, Jung Eun Ji, Son Na Eun, Kim Nam Joo y Oh Ha Young. En abril de 2013, Hoo Yoo Kyung, abandonó el grupo para enfocarse en sus estudios. ¡Escucha a A Pink en Spotify! Link Spotify : https://open.spotify.com/search/A%20Pink
37 - IZ*ONE - Iz One, es un grupo femenino surcoreano-japonés​ formado a través del programa de Mnet, Produce 48. El grupo está compuesto por doce miembros: Jang Won-young, Sakura Miyawaki, Jo Yu-ri, Choi Ye-na, Ahn Yu-jin, Nako Yabuki, Kwon Eun-bi, Kang Hye-won, Hitomi Honda, Kim Chae-won, Kim Min-ju y Lee Chae-yeon.​ ¡Escucha a Iz*One en Spotify! Link Spotify : https://open.spotify.com/search/Iz%20One
38 - DAY6 - Day6, es una banda surcoreana formada por JYP Entertainment en 2015. La banda estaba formada originalmente por seis integrantes: Jae, SungJin, Young K, Wonpil, Dowoon y Junhyeok, hasta la salida de este último en 2016 quedando como una banda de cinco miembros. ¡Escucha a Day6 en Spotify! Link Spotify : https://open.spotify.com/search/Day6
39 - VIXX - V.I.X.X es un grupo surcoreano de cinco integrantes, bajo la agencia Jellyfish Entertainment. Todos los miembros fueron seleccionados en el programa de competencia de la cadena televisiva Mnet, MyDOL. Los integrantes fueron elegidos a través de un sistema de eliminación en donde la audiencia podía votar. ¡Escucha a Vixx en Spotify! Link Spotify : https://open.spotify.com/search/Vixx
40 - ITZY - Itzy, es un girl group surcoreano formado por JYP Entertainment en 2019. El grupo debutó el 12 de febrero de 2019 con el lanzamiento del sencillo en CD, It'z Different. ¡Escucha a Itzy en Spotify! Link Spotify : https://open.spotify.com/search/Itzy
41 - SEO TAIJI AND BOYS - Seo Taiji and Boys fue un grupo de música surcoreano activo de 1992 a 1996. Sus tres miembros Seo Taiji, Yang Hyun-suk y Lee Juno experimentaron con muchos géneros diferentes de música popular occidental.​ Seo Taiji and Boys eran altamente acertados y se acreditan con cambiar la industria de música surcoreana.​ ¡Escucha a Seo Taiji And Boys en Spotify! Link Spotify : https://open.spotify.com/search/Seo%20Taiji%20And%20Boys
42 - TOMORROW X TOGETHR - TXT, acrónimo de Tomorrow X Together, ​​es una boy band surcoreana de K-pop formada por Big Hit Entertainment en 2019. El grupo está compuesto por cinco integrantes: Yeonjun, Soobin, Beomgyu, Taehyun y Hueningkai.​ TXT debutó el 4 de marzo de 2019 con el EP, The Dream Chapter: Star.​ ¡Escucha a Tomorrow X Togethr en Spotify! Link Spotify : https://open.spotify.com/search/Tomorrow%20X%20Together
43 - DOUBLE S 301 - Traducción del inglés-SS301 es un subgrupo de la banda de chicos de Corea del Sur SS501. Está compuesto por tres miembros de SS501: Heo Young-saeng, Kim Kyu-jong y Kim Hyung-jun. ¡Escucha a Double S 301 en Spotify! Link Spotify : https://open.spotify.com/search/Double%20S%20301
44 - PENTAGON - Pentagon es una banda de chicos de Corea del Sur formada por Cube Entertainment en 2016. El grupo está formado por nueve miembros: Jinho, Hui, Hongseok, Shinwon, Yeo One, Yanan, Yuto, Kino y Wooseok. ¡Escucha a Pentagon en Spotify! Link Spotify : https://open.spotify.com/search/Pentagon
45 - SISTAR - Sistar fue un cuarteto femenino surcoreano formado por Starship Entertainment en 2010. Las integrantes del grupo fueron: Bora, Hyolyn, Soyou y Dasom.​​​ Su primer álbum de estudio debut titulado So Cool fue publicado el 9 de agosto de 2011. El segundo álbum Give It to Me, fue lanzado el 11 de junio de 2013. ¡Escucha a Sistar en Spotify! Link Spotify : https://open.spotify.com/search/Sistar
46 - ONEUS - Oneus es una boy band surcoreana formada por el sello RBW en 2018. El grupo realizó su debut el 9 de enero de 2019 con el lanzamiento del EP, Light Us. La agrupación está compuesta por seis integrantes: Ravn, Seoho, Leedo, Keonhee, Hwanwoong y Xion. ¡Escucha a Oneus en Spotify! Link Spotify : https://open.spotify.com/search/Oneus
47 - NU'EST - NU'EST, es una boy band surcoreana formada por Pledis Entertainment en 2012. El grupo está conformado por JR, Aron, Baekho, Ren, Minhyun. Su fan club oficial es L.O.Λ.E, nombre que deriva del hangul de su nombre.​ ¡Escucha a Nu'Est en Spotify! Link Spotify : https://open.spotify.com/search/Nu'Est
48 - KARA - Kara fue un grupo femenino surcoreano de K-Pop, creado por DSP Media en 2007. ¡Escucha a Kara en Spotify! Link Spotify : https://open.spotify.com/search/Kara
49 - B.A.P - B.A.P fue un grupo hip-hop de 6 miembros surcoreanos formados en 2011 bajo la gestión de TS Entertainment. El 26 de enero del 2012, B.A.P hizo su debut discográfico con el sencillo "Warrior", seguido por el lanzamiento de su primer EP, Warrior en febrero del 2012. ¡Escucha a B.a.p en Spotify! Link Spotify : https://open.spotify.com/search/B.A.P
50 - F (X) - F(x) es un grupo femenino surcoreano, formado por S.M. Entertainment con miembros de varios países. El grupo está conformado por cuatro miembros: Victoria, Amber, Luna y Krystal. Anteriormente eran un quinteto que incluía a Sulli, la cual anunció su salida en octubre de 2015. ¡Escucha a F (x) en Spotify! Link Spotify : https://open.spotify.com/search/F%20(x)
https://preview.redd.it/8c9n32p2hsk51.jpg?width=564&format=pjpg&auto=webp&s=bd9d3d430d6670727c60e3691263a1f3838117a6
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2020.08.29 22:50 kckidil stairway to heaven/ rock n roll classics and mix. wisconsin, eric forman’s basement, 1970.

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2020.08.27 22:59 kckidil that 70s songs/ songs to listem to while you’re in eric forman’s basement, in 1970.

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2020.08.25 18:54 Gleaming_Roses46 My least favorite episode (8x14, Son and Daughter)

Rethinking some episodes of That 70's Show that were less than stellar my least favorite has to be Season 8's Son and Daughter because Kitty Forman is at her worst. Kitty is normally one of my favorite characters, but this episode completely fades away her loving and caring persona and acts petty and vengeful toward Donna. I also don't like Donna either because she spends the whole time flaunting her relationship with Randy in their faces and chooses to make out with him in inapropriate places.
Like why make out in Eric's room, then right after the Forman's garage? It just shows sides of both Donna and Kitty I dislike and Donna was already my least favorite of the main cast members. It also doesn't use Kitty's worst traits for humor either. I especially hated that scene where her and Donna snipe at each other. I also don't like the constant jabs at Eric with everyone going on about how perfect Randy is, especially Red.. Season 8 is really the worst!
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2020.08.25 04:44 c1n75arx I need advice from a girl. Has my window passed?

I really need some guidance, and quickly. I grew up very isolated. I matured later in life than most of my peers. I’m obviously on the spectrum of autism. This is a story about a recent “flirty” interaction spanning now two months (not sure if I could call it that really) and how I’m so awkward I run every hope we both might have in each other into the ground.
Let’s start with the meat and facts. I wanna start saying I have an Irish catholic mother. I was the kid you know that was still forced to go to church every Sunday… as a family. Lots of rules. Be polite, If you don’t have anything nice to say, don’t say anything at all, no Rated R movies. This is another way of saying, this wasn’t a house where we said I love you or hugged or spoke about our feelings head on. Does that feel like a jump or is everyone on the same page about irish catholics yet. But we also never even talked about faith or trust in a higher power much or at all either despite going to church (This is just that my parent’s biggest error was apathy. My parents wanted me to learn faith from the pastors, knowledge from my teachers, sex from health class and friends who were doing it, etc.) Whatever was considered normal wouldn’t be taught by them- then they’d be responsible if things went wrong. But also expected me to be on a squeaky clean path and the phrase “you have so much potential” was thrown around a lot. My dad held the same steady teaching job for my entire childhood, and our family was based around routines and delusions more than anything. The boys cut the grass on weekends, and the girls, well, pretty much once they had their periods didn’t have to do anything they didn’t want to do much and and had, if you ask me, too much free will (speaking as the youngest). Image the reverse parents from Ferris Beuller’s Day Off. My dad, I really doubt he gave my mom more than a handful or orgasms in their lives, not that I want to bring that up. School grades were very important because it was supposed to lead to success later. Being a well-adjusted person with friendships or hobbies weren’t-especially for the boys. I think that sports were supposed to be the catalyst for my happiness, but it was the 90s and middle class America were beginning to NOT reinforce gender stereotypes or whatever. When I told my parents I wasn’t interested in little league or soccer anymore about about 10, they said ok. I also quit the school music classes around that age and I was really good. This might be completely useless to the person reading this, but if you were to imagine Eric Forman (That 70’s Show) except without a girl next door sweetheart, or the open door policy with having friends over, that’s pretty much me. Small town kid, nothing exceptional or unique about me by high school. Enter girls. I recently read a psychology book on family dynamics and it seems I was in the “keeping up appearances” role. Never had an angst phase, never rebelled, never touched drugs or alcohol until early 20s. Had to be the comedian and the guy who could help with projects or landscaping so we wouldn’t have to hire outside help. At age 18, I was severely depressed for 9 months and my parents hardly noticed.
Perhaps needless to say, I’ve never had an intimate relationship with a woman. You may say I just haven’t found another introvert cause I seem to have had two introverted parents. But with the increased solitude that modern conveniences have provided, it has gotten harder and harder to just meet someone naturally, and but also in my upbringing I was already self-dependent. And my mom was like Edith Bunker most of the time, and when she would be more courageous, she’d become more like Parker Posey I guess. Neither are really “energies” that an average guy could be a happy charming clown around in the early stages of dating. A lot of “men don’t understand” views. I once visited an introverted friend’s house in high school and I was really surprised that his parents still had a chemistry they didn’t hide. Yea, definitely not my parents.
But anyway, the real meat you want to hear about is the flirty stuff, right? The times we’ve talked, the signals, etc. Well, okay, but all you will hear is from my perspective and you needed to have an idea of how “oblivious” I am. I have definitely lost all ability to flirt. I don’t know how to treat a girl I’m attracted to as just another human long enough to hold one conversation with them long enough to learn something about her. So we haven’t had any conversations. Our jobs aren’t don’t depend on each other and she comes in 4 hrs earlier than me so I’m just arriving when she’s in the most stressed part of her day. But one day she caught me staring at her. I played it aloof and hadn’t really expected what happened next. Later that week, when passing her area, her body language seemed to be directed at me and she was wearing makeup- or more makeup. A little bit more than you’d expect one to wear at work. She’s not the kind of girl who wants attention as she’s always wearing full length jeans even though the warehouse can get hot sometimes. So yea, with eyeshadow too? Seems like she was sending me a “you’re not so bad yourself” signal. We would later pass in the hall some days and I would just be minding my own business but then noticed her expression go to all smiles as we passed each other like I made her nervous. Once she was with her work bff, but picked up on the fact that I was going to an office where the employee mail slots were, so she went out of her way to go my way and I guess, subconsciously sent the signal I could also drop a note in her mailbox to break the ice. But again, I think we are both introverts so to this point no words have been exchanged. But stuff was going on in my personal life. The job I have at this company doesn’t pay well, I’m a temp employee, and I’ve been filling out applications every weekend. And I’ve been trying to change occupations too, so I’ve also wanted to learn new skills and studies on weekends too. I was also thinking of moving ever since a person in my house share tried to fight me on the front lawn one day as I was leaving for work two months ago. I’ve wanted to move before that too, cause my landlord often brings people in with volatile personalities but everywhere it’s either the rent is too high or I’m too late. But as weeks passed, and being a mysterious guy to her was wearing off, we passed each other once as she entered a room and the look on her face was like she was holding back tears. I heard her co-worker ask her “what’s wrong” from inside the room, and the door closed. I felt awful, I did. But also, still kinda surprised the girl is so drawn to me. She’s younger, she’s hotter, and probably had more friends or a support group in her life already. What attracted me to her originally was how much she reminded me of a girl I knew once a long time ago who I fell hard for but whom friend-zoned me. I don’t know if that’s just the difference between a girl in her late teens and someone in their mid-late 20s. I also, admittedly screwed up by not telling anyone I knew about all of this when I notice my feelings were growing. But to be clear, I haven’t even worked along with a girl (outside of management) for 4 yrs because my occupation is so male-dominated.
TLDR
I’ve since asked her out once. That was hard, again, because we don’t have any reason to be talking to one another cause our jobs don’t intersect. The ‘just say hello’ advice is such a double standard if you understood how much men get rejected just from that. It was a genuine "proposal" but I was also worried, logistically, how someone who gets up at 4 am and probably goes to bed around 8-9 would date? I’m not sure what a girl in her mid-20s thinks about when she has free time either. How entertaining can I be on a date to an early bird dinner? Also, with the social distancing half the restaurants aren’t doing dining except a few that could move tables outside, and movie theaters are closed as well. When I did it, initially she didn’t notice me calling her name or was protecting herself by making sure I said her name 3 times before she responded. But then she surprised me again by saying she was working on the day I suggested. I’m pretty shy about asking a girl out so I got confused from not hearing a “no, not ever” in her answer and before I knew it someone else needed her. Romance is really feeling foreign to me now. The best thing I could think of the next week was to just walk up to her and ask how her weekend was. So I did it, but she got a phone call at exactly the same moment, put a polite finger up, and walked away to take the call, and I stayed there for 20 minutes waiting to see her again, but that phone call apparently made her very busy. She never came back, but she was sorta in the area a lot, doing her work. I don’t know what to make of that. If she's aloof too then this will never get any traction. Maybe we both are just falling for the idea of the other person and neither of us is comfortable enough to just talk to the other. This is the part when I let one guy friend at work know the entire story, who is married and 25 yrs older than me so probably doesn’t remember the intense hormones of situations like this, and his advice was to just see what happens naturally. I haven’t tried making friends with others at work cause it just a temporary job.
A month has gone by. Maybe she assumed I’d give another try on another Friday but it's still hard. I’m worried about my ideas of dating or a relationship are flawed. I’m too afraid to ask when anyone else is within the hearing space of us, so there haven’t been many opportunities. My idea of a first date is just a walk in the park and at this point, I feel like too much pressure has built and that'll be wrecked at the start. In my last job, and how I first approached this job, I was more confident in it, and made me more relaxed as a person in general. But this job frustrates me a lot, less about the work but the people I work with, which makes me work harder at finding another one.
But I’ve also recently realized that my occupation is making me into a nihilist. I feel like everything is dust in the wind. Happy times never last. And unfortunately, the changing of careers hasn’t gone well at all. It seems there are no entry-level jobs left, and the economic downturn didn't help, so I’m stuck being a nihilist. And let's face the facts, in the 3 months I've worked there, we haven't even had one conversation.
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2020.08.23 12:49 Thechurchishidingit If there was a new show based on that70s show I think it would be about the The original cast as adults say eric and his family maybe moving back into the old Forman house with some old and new characters take place sometime around the 90s Idk thoughts.

p.s I don’t really like the whole fez and Jackie thing doesn’t really make sense so I would like to think that never happened in this just there is like no chemistry
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2020.08.17 00:12 chipper6412 Eric Forman

Starting watching the show and I can't get away from the fact that Eric reminds me of a mix between Chandler Bing and Scott Pilgrim.
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2020.08.15 06:12 therealphoodie Is it just me, or....

Is it just me, or does Scott give anyone vibes of Eric Forman from That ‘70s Show? Their voices and some of their mannerisms sound very similar to me, hope I’m not going crazy lol 🤣
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2020.08.14 17:55 LaCroixBoi182 The Tao of Eric Forman

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2020.08.04 23:21 ob1knob33 Season 6 is irritating me

A lot of people say season 8 is bad, which it is, but season 6 is really irritating me too. Eric turns into a real loser. He whines about not getting a birthday party, which in previous seasons he's never wanted. He flirts with random girls at a dance, even though in the past he's been loyal to Donna to a fault. He takes advantage of his mom and Donna when they think he's working late at the restaurant. He steals and destroys Kelso's van, and doesn't really do much to make up for it. He's misogynistic towards Donna, wants her to raise the kids, never really considers how much she gave up college because of him and he leaves Donna at the alter. Eric was kind of an idiot in previous seasons too, but in this season it's like the dumbassery was turned up to 10. The storylines are also bizarre. Before they were just committing petty crimes, but the green card marriage sham was too serious to be all that funny. They also cast the wrong actress for Laurie imo. The Kelso and Brooke thing, though believable, was way too sudden. Kelso was actually still pretty in love with Jackie when it happened, so it was weird for him to suddenly go try to hit on Brooke. It would make sense if he was just taking care of her to take responsibility for the kid, but to go and try to have a relationship with her while he is still hung up on Jackie is weird. He also is super happy initially when Brooke tells him he's off the hook with the kid. Which, as much of an idiot as he is, the Kelso from previous seasons wouldn't have done. He was terrified when Jackie got pregnant because from the moment he knew, he was going to take responsibility. And then Mrs. Forman is weird too. She would never ever have totally skipped Eric's birthday just to do it with Red. They also made her dumb in that one episode with the citizenship test. She's a nurse. It's already been established that she is a fantastic nurse too. So she technically should be pretty educated and should know the basic things related to US history. Anyway, the show doesn't become blatantly bad until the last season, but this season really has some annoying nuances.
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2020.07.31 14:44 adalby12 Actors Who Were Considered For Oscar Nominated Roles- Would They Still Have Been Nominated/Would They Have Won? BEST SUPPORTING ACTOR 1980s

Next up is the Best Supporting Actor category from the 1980s. All of these people were considered for roles that were nominated for the Oscar for Best Supporting Actor in the 1980s. Would any of these performances have been better? Would they still have been nominated? Could they even have won? As always, the list is not exhaustive (I’m sure this one isn’t because it’s very short) so just let me know in the comments if there are any that I have forgotten that you want to talk about.
Do The Right Thing (1989) - Spike Lee initially offered the role of Sal, the pizzeria owner, to ROBERT DE NIRO, who had scheduling conflicts. JOE PESCI and JOE MANTEGNA were also considered before Danny Aiello was cast (I wonder if the Academy would’ve been more receptive to this if it was a ‘Robert DeNiro movie’ and nominated it for more)
Platoon (1986) - Stone initially considered MICKEY ROURKE for the role of Sgt Barnes and NICK NOLTE for the role of Sgt Elias, but both turned down the parts. JAMES WOODS was also offered an unspecified role and turned it down, so it could have been one of these two. KRIS KRISTOFFERSON was brought up as a potential Sgt Elias, but Stone viewed him as too old for the part. VAL KILMER also auditioned for Sgt Elias, DENZEL WASHINGTON lobbied for the role and JEFF BRIDGES was also considered. Meanwhile, KEVIN COSTNER was offered the role of Sgt Barnes, but turned it down as he did not want to disrespect his brother, a real Vietnam veteran. THOMAS F WILSON auditioned for the Barnes role, but was refused. VIGGO MORTENSEN was originally cast as Elias, going through all the preparation before he found out they had started shooting with Willem Dafoe.
Hoosiers (1986) - HARRY DEAN STANTON turned down the role of ‘Shooter’ Flatch, expressing regret at doing so in a 2013 interview
Runaway Train (1985) - When Akira Kurosawa was developing the project in 1970, PETER FALK and LEE MARVIN were being considered for the role that became Eric Roberts’ role in the final version. JEFF BRIDGES turned the role down when it began development again in the 1980s, with TOM BERENGER then being cast but dropping out to make Platoon, leading to Roberts’ casting
The Karate Kid (1984) - The studio originally wanted TOSHIRO MIFUNE to play Mr Miyagi, but he couldn’t speak English, and also John G Avildsen felt his version of Miyagi was too serious and more like the samurai characters Mifune was famous for
Terms Of Endearment (1983) - John Lithgow was hired last minute to replace an unknown actor, which speculation suggests was either JEFF BRIDGES or GEORGE DZUNDZA
The Right Stuff (1983) - SCOTT GLENN was originally considered to play Chuck Yeager, but expressed that he would rather play Alan Shepard, and was cast in that role instead
The Best Little Whorehouse In Texas (1982) - Colin Higgins initially wanted MICKEY ROONEY for the role of the Governor, but Burt Reynolds convinced him to cast Charles Durning instead
The Verdict (1982) - James Mason was desperate to work with Sidney Lumet again, and so lobbied hard for the role of Ed Concannon when BURT LANCASTER, who was originally cast, dropped out
Only When I Laugh (1981) - I don’t have an alternate casting here but it’s a short post so I thought it would be cool to mention that James Coco in this role is the only performance to be nominated for an Oscar and a Razzie
Reds (1981) - SAM SHEPARD and JAMES TAYLOR were considered for the role of Eugene O’Neill before Jack Nicholson was cast
Ragtime (1981) - OJ SIMPSON lobbied hard for the role of Coalhouse Walker Jr, but Milos Forman cast Howard Rollins in the role instead
Ordinary People (1980) - RICHARD DREYFUSS was Robert Redford’s first choice for the role, but when Redford called him, he picked up and said “I can’t talk to you right now, I’m having a nervous breakdown” and hung up. GENE HACKMAN was then cast, but then dropped out as he had to do reshoots on Superman II. DONALD SUTHERLAND was also in line for the role, but convinced Redford he was actually better for the role of Calvin Jarrett
The Great Santini (1980) - TIMOTHY HUTTON auditioned for the role of Ben Meechum
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2020.07.30 16:08 trillykins Watch anything interesting lately?

Weathering With You
Saw this, like, a month or two ago now. Saw it in the cinema when they reopened those. We'd bought tickets for it shortly because the lockdown and our tickets were automatically refunded after the lockdown was put in place. I haven't seen Your Name, so don't know if they are related in some way. The whole boy and girl setup on the poster felt similar, so I kind of assumed so? But didn't see notice any obvious hints to another movie.
I thought it was really good. Animation was fantastic. Story was weird, but it worked and was intriguing. Characters were well written and, you know, likeable and relatable in certain ways. Very emotional. Thought Natsumi Suga was really funny, especially during the chase scene. Apparently they've made the scooter she's riding to be sold as sort of mechanise or something.
Anyway. Great movie. Would definitely recommend.
Lost in Translation
Only saw the opening. Used to really like this movie, so started watching it last night, but only got to the opening. Got distracted by the background when he's riding in the taxi. Now having been to Japan a bunch of times, I find it oddly funny to see if I can recognise where shots are taking place. Didn't take long for the taxi ride. It's from probably the most famous streets in Shinjuku in Tokyo. The same street used in the opening of Midnight Diner.
Midnight Diner: Tokyo Stories
Watched this with my girlfriend. Was a bit confused at first. On Netflix there are two series with the same name, but this has the subtitle 'Tokyo Stories'. Turns out, it's just a continuation of the same series with the same characters, but Tokyo Stories seemingly has a much larger budget. So, if you just jump into Tokyo Stories you're going to be a bit confused concerning recurring characters and references. Show is about a midnight diner in Shinjuku. It's only open from midnight to morning, and besides his meager menu, he'll make anything customers want if he has the ingredients for it or the customer is willing to get them for him. The series follows customers that eat at the diner and each episode feature a specific dish and you follow something happening in their lives like an gravure idol reaching the end of her career and having trouble dealing with it and not knowing what to do. Pretty much all of the episodes are effectively standalone, but there are a recurring cast of characters as well and references to earlier episodes. I thought it was pretty good and wound up watching all of it in just a few days. We'd usually watch it while eating dinner and end up just letting the episodes run on until we got tired. If you have a Netflix subscription, I'd definitely recommend checking it out.
Sorry to Bother You
I think this is the third time I've watched this. There aren't a lot of movies I've watched multiple times, so I guess it says something that this is the third time watching it. Very broadly, it's about capitalism and societal roles wrapped into a funny and extremely well-made comedy. Acting is top-notch, especially LaKeith Stanfield as the protaognist.
BlacKkKlansman
Second time I watched this. First time was in the theatre when it came out.
I don't remember where I've heard this, but a lot of movies about racism have this tendency of framing it like it's a product of days past and something that isn't really a thing any more. Like, after watching Green Book or Hidden Figures you go out of the theatre thinking 'oh, thankfully the world is not like that any more', even though things really haven't changed that much (I'm just talking about the US here). It's just less open. This movie really emphasises that shit has barely changed. The language used in it feels very deliberately chosen, especially the lines uttered by David Duke (something so fitting about Eric Forman as grand wizard), to provoke the viewer into making connections on their own. If that fails, then the ending is brutally blunt about it. Quite possibly the most depressing ending I have seen. Anyway. Movie is great all around. It's funny, it's suspenseful, acting is great. Remember first time I talked about it, Shroud gave me a list of Spike Lee movies to watch, but... err, yeah, never got around to that. Oh, and I finally found out why one of the detectives look so much like Steve Buscemi. It's because it's his brother.
I think that's all of them?
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That 70's Show Best of Eric Forman - YouTube Eric Forman - YouTube That 70's Show - Best of Eric Forman [HD] - YouTube That 70's Show: Eric Forman Steals Beer - YouTube Eric Forman - YouTube

Eric Forman, MD Obstetrics & Gynecology

  1. That 70's Show Best of Eric Forman - YouTube
  2. Eric Forman - YouTube
  3. That 70's Show - Best of Eric Forman [HD] - YouTube
  4. That 70's Show: Eric Forman Steals Beer - YouTube
  5. Eric Forman - YouTube
  6. Eric Forman - YouTube
  7. Eric & Donna - 2x08 2/2 - YouTube
  8. The Untold Truth Of Topher Grace - YouTube

Most people know Topher Grace for his stint as Eric Forman on the beloved sitcom That '70s Show, but there's far more to this guy than bell-bottom pants. Fro... Eric Forman uploaded a video 9 months ago 0:23. caleb is hot, k bye-- Duration: 23 seconds. Eric Forman. 9 months ago; 17 views; tea Eric Forman uploaded a video 9 months ago 3:16 ... Hey! I'm Eric Forman. xoxo. Skip navigation Sign in Eric Forman & Donna Pinciotti scenes from That '70s Show. ***I do not own anything. All the rights belong to authors of That '70s Show. Copyright Disclaimer ... War robots test server ( New heavy weapon and robots , New skins ) 19/03/2017 - Duration: 4 minutes, 55 seconds. Description: Eric Forman steals beer for his friends from a party his parents are holding upstairs. SUBSCRIBE TO THESITCOMBO CHANNEL: WWW.YOUTUBE.COM/THESITC... Like / Comment / Subscribe! Original Uploader: https://www.youtube.com/channel/UCcO1Z8IGSTUdmCAMg3-J9MQ